Edward Chamberlain

Definition and stakes

E. K. Chambers,  The Elizabethan Stage, Vol. 1

“ There was indeed provision for the regular assistance of the Lord Chamberlain by a Vice-Chamberlain, an officer who had existed at least as far back as the fourteenth century, and is probably indeed the 'subminister' of the thirteenth. [116] Elizabeth's fee lists provide for a Vice-Chamberlain at a fee of £66 13s. 4d. and a table at court. But the post was not always filled up. Sir Edward Rogers held it from 1558 to 1559, Sir Francis [42] Knollys from 1559 to 1570, Sir Christopher Hatton from 1577 to 1587, and Sir Thomas Heneage from 1589 to 1595. ”
Source: Gutenberg

Arthur B. Chamberlain,  Hans Holbein

“ In 1527 he painted Sir Thomas’s portrait, the picture now in the possession of Mr. Edward Huth. In the same year he painted William Wareham, Archbishop of Canterbury. Two examples of this portrait exist, both by Holbein, at Lambeth Palace and in the Louvre, and two fine drawings, in the British Museum and at Windsor. Other portraits of 1527 are those of Sir Henry Guildford, the Lord Chamberlain (Windsor) ; his wife, Lady Guildford (Mr. Frewen’s collection) ”
Source: Gutenberg

Arthur B. Chamberlain,  Hans Holbein the Younger, Volume 2… (1913)

“ There is less expression in the face. She has no great pretensions to beauty, and her complexion is pale, thus agreeing with all contemporary accounts of her appearance. In a singularly frank letter from Chapuys to Antoine Perrenot, dated London, 18th May 1536, which was intended for the Emperor’s ears, the Spanish ambassador 112says: “She is sister to one Edward Semel, of middle stature, and no great beauty, so fair that one would call her rather pale than otherwise.... ”
Source: Gutenberg

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