Orlo Williams, The Good Englishwoman
“ The drawing-room or sitting-room of an enlightened English woman is neither a salon, awful in its bleak precision, nor simply a feminine boudoir, beflowered and rustling like a robe de chambre to which the entry of a man, even of a husband, takes on the air of a gallantry or an intrusion. It remains sacred to the woman, yet rather as the main sanctuary of the household of which she is the priestess than as the holy of holies; and, in this connection, it is interesting to remark that the English woman, as a rule, has no visible inner sanctuary. ”
