Enkidu

“ The description of Enkidu follows, with his body covered with hair like an animal, and eating and drinking with the animals. There follows an episode105 which has no connection whatsoever with the Gilgamesh Epic, but which is clearly intended to illustrate how Enkidu came to abandon the life with the animals. A hunter sees Enkidu and is amazed at the strange sight—an animal and yet a man. Enkidu, as though resenting his condition, becomes enraged at the sight of the hunter, and the latter goes to his father and tells him of the strange creature whom he is unable to catch. ”

“ Enkidu is described as a rival or counterpart. [66] This relationship between the two is suggested also by the Assyrian version. In the creation of Enkidu by Aruru, the people urge the goddess to create the “counterpart” (zikru) of Gilgamesh, someone who will be like him (ma-ši-il) (Tablet I, 2, 31) . Enkidu not only comes from the mountain, [67] but the mountain is specifically designated as his birth-place (I, 4, 2) , precisely as in the Pennsylvania tablet, while in another passage he is also described, as in our tablet, as “born in the field.” ”

“ The entire third column is taken up with this introduction of Enkidu to civilized life in a pastoral community, and the scene ends with Enkidu becoming a guardian of flocks. Now all this has nothing to do with Gilgamesh, and clearly sets forth an entirely different idea from the one embodied in the meeting of the two heroes. In the original Enkidu tale, the animal-man is looked upon as the type of a primitive savage, and the point of the tale is to illustrate in the naïve manner characteristic of folklore the evolution to the higher form of pastoral life. ”

“ The fight between Enkidu and Gilgamesh, in which the former is the victor, is typical of the kind of tales told of Enkidu. He is the real prototype of the Greek Hercules. He slays lions, he overcomes a powerful opponent dwelling in the forests of Lebanon, he kills the bull, and he finally succumbs to disease sent as a punishment by an angry goddess. The death of Enkidu naturally formed the close of the Enkidu Epic, which in its original form may, of course, have included other exploits besides those taken over into the Gilgamesh Epic. ”

“ The princes of the earth kiss thy feet. He maketh the people of Erech to sigh for thee, and many folk to cry out for thee, and to serve thee. And for thy sake he putteth on coarse attire and arrayeth himself in the skin of the lion, and pursueth thee over the plain." When Enkidu heard these words his anxious heart had peace.
To the Third Tablet probably belongs the fragment in which Enkidu relates to Gilgamish a horrifying dream which he had had. ”

“ Erech is, therefore, not relieved of the presence of the ruthless ruler through Enkidu. The “Man of Anu” formed by Aruru as a deliverer is confused in the course of the growth of the Epic with Enkidu, the offspring of Ninib, and in this way we obtain the strange contradiction of Enkidu and Gilgamesh appearing first as bitter rivals and then as close and inseparable friends. It is of the nature of Epic compositions everywhere to eliminate unnecessary figures by concentrating on one favorite the traits belonging to another or to several others. ”

“ When Enkidu saw how dense was the forest and how threatening, he tried to make Gilgamish turn back, but all his entreaties were in vain. As they were going through the forest to attack Khumbaba, Enkidu dreamed two or three dreams, and when he related them to Gilgamish, this hero interpreted them as auguries of their success and the slaughter of Khumbaba. The fragmentary character of the text here makes it very difficult to find out exactly what steps the two heroes took to overcome Khumbaba, but there is no doubt that they did overcome him, and that they returned to Erech in triumph. ”

“ He next appealed to Ea, who, taking pity on him, ordered the warrior god Nergal to produce the spirit of Enkidu, and this god opened a hole in the ground through which the spirit of Enkidu passed up into this world "like a breath of wind." Gilgamish began to ask the spirit of Enkidu questions, but gained very little information or satisfaction. The last lines of the tablet seem to say that the spirit of the unburied man reposeth not in the earth, and that the spirit of the friendless man wandereth about the streets eating the remains of food which are cast out from the cooking pots. ”

“ The primitive man is the stronger and wishes to destroy the one whom he regards as a natural foe and rival. On the other hand, the one who stands on a higher plane wants to lift his fellow up. The whole of column 4, therefore, forms part of the lesson attached to the story of Enkidu, who, identified with man in a primitive stage, is made the medium of illustrating how the higher plane is reached through the guiding influences of the woman’s hold on man, an influence exercised, to be sure, with the help of her bodily charms. ”

“ If the fragment of the Assyrian version (K 8574) above discussed is the equivalent to the close of column 3 of the Pennsylvania tablet, we may go one step further, and with some measure of assurance assume that Gish is told of Enkidu’s exploits and that the latter is approaching Erech. This pleases Gish, but Enkidu when he sees Gish (?) is stirred to anger and wants to annihilate him. At this point, the “man” (who is probably Gish, though the possibility of a third personage must be admitted) intervenes and in a long speech sets forth the destiny and higher aims of mankind. ”

“ At the end of Book I in the Assyrian text and at the end of Col. I of Book II in the new text, the situation in the legend is as follows. The harlot halts outside the city of Erech with the enamoured Enkidu, while she relates to him the two dreams of the king, Gilgamish. In these dreams which he has told to his mother he receives premonition concerning the advent of the satyr Enkidu, destined to join with him in the conquest of Elam.
Now the harlot urges Enkidu to enter the beautiful city, to clothe himself like other men and to learn the ways of civilization. ”

“ But Enkidu moved not, and when Gilgamish touched his breast his heart was still. Then laying a covering over him page 50as carefully as if he had been his bride, he turned away from the dead body and in his grief roared like a raging lion and like a lioness robbed of her whelps.
The Ninth Tablet. In bitter grief Gilgamish wandered about the country uttering lamentations for his beloved companion, Enkidu. As he went about he thought to himself,
"I myself shall die, and shall not I then be as Enkidu? ”

“ The struggle between the two heroes, where Enkidu strives to rescue his friend from the fatal charms of Išhara, is probably depicted on seals also. On one of the seals published by Ward, Seal Cylinders of Western Asia, No. 459, a nude female stands beside the struggling heroes.12 This scene not improbably illustrates the effort of Enkidu to rescue his friend from the goddess. In fact the satyr stands between Gilgamish and Išhara (?) ”

“ If the two are regarded as brothers, as born in the same place, even resembling one another in appearance and carrying out their adventures in common, it is because in the process of combination Gilgamesh becomes the reflex of Enkidu. That Enkidu is not the figure created by Aruru to relieve Erech of its tyrannical ruler is also shown by the fact that Gilgamesh remains in control of Erech. It is to Erech that he returns when he fails of his purpose to learn the secret of escape from old age and death. ”

“ Thereupon he is taught his duties as a husband, is introduced to the work of building, and to laying aside supplies, and the like. The fully-developed and full-fledged hero then engages in various exploits, of which some are now embodied in the Gilgamesh Epic. Who this Enkidu was, we are not in a position to determine, but the suggestion has been thrown out above that he is a personage foreign to Babylonia, that his home appears to be in the undefined Amurru district, and that he conquers that district. ”

“ In accord with this, we find Gilgamesh in his lament over Enkidu describing him as a “younger brother” (ku-ta-ni) ; [70] and again in the last tablet of the Epic, Gilgamesh is referred to as the “brother” of Enkidu. [71] This close relationship reverts to the Sumerian version, for the Constantinople fragment (Langdon, above, p. 13) begins with the designation of Gish-bil-ga-mesh as “his brother.” By “his” no doubt Enkidu is meant. Likewise in the Sumerian text published by Zimmern (above, p. 13) Gilgamesh appears as the brother of Enkidu (rev. 1, 17) . ”

“ Gilgamish receives him and they dedicate their arms to heroic endeavor. At this point the epic brings in a new and powerful motif, the renunciation of woman’s love in the presence of a great undertaking. Gilgamish is enamoured of the beautiful virgin goddess Išhara, and Enkidu, fearing the effeminate effects of his friend’s attachment, prevents him forcibly from entering a house. A terrific combat between these heroes ensues,10 in which Enkidu conquers, and in a magnanimous speech he reminds Gilgamish of his higher destiny. ”

“ Since the person who dreams is always the one to whom the dream applies, we may see in these dreams a further trace of the primary rôle originally assigned to Enkidu. Another exploit which, according to the Assyrian version, the two heroes perform in concert is the killing of a bull, sent by Anu at the instance of Ishtar to avenge an insult offered to the goddess by Gilgamesh, who rejects her offer of marriage. ”