Giralda Tower

“ The exterior of a stone originally white, is now tanned by sun and weather to a delicious mellow tone. The ruddy tower faintly recalls that greater glory, the Giralda. Some parts of the cathedral are in severe Gothic style, some very florid; this shows that it was a long time in building. The main entrance is perfectly gorgeous, the stone fretted and carved like so much petrified lace; the outer gate is only opened to admit the reigning sovereign. The interior is marred, like Seville and Cordova, by the coro. ”

“ The famous Giralda of the cathedral of Seville is an ancient Moorish tower, built, it is affirmed, in the year one thousand after the design of the architect Geber, the inventor of algebra. The upper part has been changed since Spain was reconquered, and has been rebuilt like a Christian bell-tower, but it will always retain its Moorish appearance, and, after all, is prouder of the banished standards of the vanquished than of the cross recently planted upon it by the victors. It is a monument which produces a strange sensation: it makes one smile ”

“ The entrance to the Giralda is outside the cathedral. Before we make the ascent, we will walk to the extremity of the Moorish enclosure of the orange-court, along the raised pavement which surrounds the whole. At the angle there is an antique shaft of granite, higher than the rest of those placed at equal distances along the edge of the pavement. From that point the proportions of the tower are seen to advantage, while you are at the same time sufficiently near to observe the details of the carving, and of the windows, with their delicately formed columns of rare marbles ”

“ It is in the Giralda that one finds the beginning of truly decorative art. Built of varnished bricks, with a stout construction, as is demanded by the façade of a very high tower, it is to be regretted that such a beautiful edifice should be crowned by so strange a body as its gilded frontages and painted porcelains.”
With the exception of the Giralda, and part of the lower portions of the walls, the Moorish remains that are to be recognised in the cathedral are few and not remarkable. ”

“ Despite its Doric and Ionic columns and Renaissance style, it does not mar the beauty and harmony of the whole building, and is itself a remarkably graceful work. The entablature of the second stage or storey bears the words Turris fortissima Nomen Domini. The whole fabric is surmounted by the bronze statue of Faith, executed by Bartolomé Morel in 1568. It stands fourteen feet high, and weighs twenty-five hundredweights, yet so wonderful is the workmanship that it turns with every breath of the wind. Hence the name applied to the whole tower—Giralda—from que gira, “which turns.” ”

“ The Girálda proper contains seven of these storeys, with thirty-five ramps. To the top of the eighth storey, which is the first addition, dating from the sixteenth century, now used as a belfry, the height is about 220 feet. The present total height is a little over 300 feet.
The original turret of the Girálda, similar to that at Marrákesh, was destroyed in 1396 by a hurricane. The additions were finished in 1598. An old view, still in existence, and dating from the thirteenth century, shows it in its pristine glory, and there is another—Moorish—as old as the tower itself. ”

“ The facing of one of the angles has been stripped off by lightning, showing the interior of the masonry, which is composed throughout of stones exactly squared. The wall at the upper part is between six and seven feet thick. It is ascended by an inclined plane, up which a carriage might be driven. The centre is an inner tower composed of five stories of square halls, with the roofs in stucco, like the Alhambra. The outside is figured and carved. In simplicity and grace, “Hassan” exceeds the Giralda no less than in dimensions. ”

“ The Pagan women were so incensed that they broke all the earthenware in the place. The sisters then broke the image of Venus, and flung it into a kennel. For this act the populace seized them, and took them before the Prefect. Justa expired on the rack, and Rufina was strangled. These two saints have always guarded the beautiful tower Giralda. They are said to have preserved it from destruction in 1504, in a terrific thunder-storm. When Espartero bombarded Seville in 1843, the people believed that Giralda was encompassed by angels led by these sisters, who turned aside the bombs. ”

“ The city lies very low upon the Guadalquivir, which, overflowing with every freshet, has frequently submerged the streets and seriously damaged buildings situated a long distance from its banks.
The visitor, wandering along the substantial quays, will not fail to notice a curious, isolated tower, whose loop-holes and battlements resemble those of some feudal castle. It is the Torre del Oro, or Golden Tower, one of the landmarks of Moorish Seville, and was named from the shining yellow tiles that originally incrusted it, and which Spanish taste has thoroughly “improved” with a coat of plaster. ”

“ The first glance at your feet falls on a broad simple carpet of turf, around which a softly winding gravel-walk leads to the entrance and exit of the gigantic edifice. Looking backwards, your eye rests on the two black towers, of which the oldest, called Guy’s Tower, rears its head aloft in solitary threatening majesty, high above all the surrounding foliage, and looks as if cast in one mass of solid iron;—the other, built by Beauchamp, is half hidden by a pine and a chestnut, the noble growth of centuries. ”

“ An inner wall with a tower at each corner formed the main stronghold, in the south-west corner of which was the palace, overhanging the river. And on the south-west corner of the palace, towering sheer from the water's edge seventy cubits and more to the battlements, stood the keep, a round tower lined with iron, bearing on the corbel table beneath its parapet in varying form and untold repetition the sculptured figure of the crab of Witchland. The outer ward of the fortress was dark with cypress trees: black flames burning changelessly to heaven from a billowy sea of gloom. ”

“ To-day the Marble Tower stands silent, lifeless, by the side of a leaden sea; passing squalls hide the view to southward and over the Islands towards the mountains of Asia Minor, and a grey sky, heavy with rain, hangs like a pall over the City and this corner of its ancient defences. The Marble Tower’s part in history is long since played out, and now it listens silently, helpless, to the distant booming of cannon before which it would fall like those castles of dreamland at cock-crow; ruined it stands mourning the ruin which overtakes the kingdoms of this world. ”

“ Yonder in the distance, high and enormous, stands the Golden Tower, now used as a toll-house, but the principal bulwark of the city in the time of the Moors. It stands on the shore of the river, like a giant keeping watch, and is the first edifice which attracts the eye of the voyager as he moves up the stream to Seville. On the other side, opposite the tower, stands the noble Augustine convent, the ornament of the faubourg of Triana, whilst between the two edifices rolls the broad Guadalquivir, bearing on its bosom a flotilla of barks from Catalonia and Valencia. ”

“ That belt of battlements, studded with square towers, straggling round the whole brow of the hill, is the outer boundary of the fortress. Some of the towers, you may perceive, are in ruins, and their massive fragments buried among vines, fig-trees, and aloes.
Let us look on this northern side of the tower. It is a giddy 124 height; the very foundations of the tower rise above the groves of the steep hill-side. And see! a long fissure in the massive walls shows that the tower has been rent by some of the earthquakes which from time to time have thrown Granada into consternation ”

“ The once redoubtable Tower of the Seven Floors is now a mere wreck, having been blown up with gunpowder by the French, when they abandoned the fortress. Great masses of the wall lie scattered about, buried in luxuriant herbage, or overshadowed by vines and fig-trees. The arch of the gateway, though rent by the shock, still remains; but the last wish of poor Boabdil has again, though unintentionally, been fulfilled, 166 for the portal has been closed up by loose stones gathered from the ruins, and remains impassable. ”

“ The angles in the wall are acute, receding considerably from the towers; and the whole structure, as it sweeps around the city, looks like a mountain of solid and immoveable rock. At its north-western angle, high above all the rest, rises the tower of Psephinus, massive below, but in its upper part marked by graceful, though still heavy architecture; it is octangular, and attains an elevation of one hundred and twenty-seven feet.
Within this, separating Acra from Bezetha, is another wall, a solid mountain of masonry, presenting high angular walls, battlements, and towers of exceeding strength ”

“ On all sides Corinthian columns, plain or fluted, little towers with crenelated tops, and a mass of kiosks meet the eye. Lions rampant are mounted on the battlements, whilst curious gargoyles protrude from every corner. From story to story we have the rise of the central tower, each platform being marked by the octagonal towers at the corners, and the winding flight of stairs. The dome which crowns the top is formed by the "intersection of two semicircular arches built up with steps and balustrades, which look not unlike arcs boutant or flying buttresses." ”

“ Some palpable mistakes, due to economy, can be detected at once. The intention of the architect in designing so long and so low a structure was to relieve it by the two Towers, which were to “carry up” the eye—like spires. The great Victoria Tower, whose enormous proportions can only be appreciated when we are close to it, seems as vast and massive as the Tower of the Town Hall at Ypres—that wonder of the world. Yet the whole idea of its imposing height has been sacrificed: it is indeed difficult to believe that it is as high as the dome of St. ”

“ They can scarcely have been intended for defence, indeed I am not certain that they extend round the whole enclosure. The ditch may have been a canal bringing water to the palace or fortress.
We rode out of one of the western gates of Ḳâdisîyah and in a little over an hour reached the enigmatic tower of Ḳâim. It stands in the angle formed by the Tigris and the channel of the Nahr el Ḳâim, which has silted up so that no water runs down it from the river. The tower is a truncated cone composed of pebbles and concrete; there is no chamber inside it and no means of climbing to the top of it. ”

“ Among the conspicuous objects arising above the rest, and mingling with the minarets of the mosques, are two tall towers, one on each side of harbour, called the “Janissaries’ Tower,” and the “Tower of Galata.” They command an extensive view over both peninsulas, and are intended for the purpose of watching fires, to which the city is constantly subject. Instead of a bell, a large drum is kept in a chamber on the summit, and when the watchman observes a fire, for which he is always looking out, he strikes the great drum with a mallet ”

“ In those days men liked to build high towers reaching away up toward the heavens. Perhaps they were afraid of another flood, and perhaps they simply wished to show what they could do; but however that may be, ruins of towers can still be seen in various parts of the world, one of the most noted of which is that of the "Tower of Nimrod." ”

“ Constant watch and ward is kept over the city below by men snugly housed in quarters near the summit, who, in addition to their duties as watchmen, turn an honest cherik occasionally by supplying cups of coffee to Visitors.
No fairer site ever greeted human vision than the prospect from the Tower of Saraka. Stamboul, Galata, Pera, and Scutari, with every suburban village and resort for many a mile around, can be seen to perfection from the commanding height of Saraka Tower. ”

“ Here and there the bits of Austrian cut glass were sparkling on the tower like huge diamonds. "At times the thing is wonderfully impressive. There's always something impressive about a mass if it has any kind of uniformity, and here you can detect an intention on the part of the architect. There are certain lights that have a way of dressing up the tower as a whole, giving it unity and hiding its ugliness. And at all times it has a kind of barbaric splendor. It might have come out of an Aztec mind, rather childish in expression, and seeking for beauty in an elemental way. ”

“ For the convenience of the garrison a paternal War Office has caused to be erected, on the ground where the old Coldharbour Tower stood, the most unsightly building it is possible to conceive within Tower walls. But the putting-up of such a monstrosity convinces one that the greatest want of the present age is imagination. The men who could plan, and then construct in brick and sandstone these “quarters,” must have been those who were hurried through the old fortress in their youth, and who, like the child we have mentioned,{14} took a not unnatural dislike to His Majesty’s Tower. ”

“ Traversing the green, some hundred and forty feet brings us to the Beauchamp, or Cobham Tower, connected with the Bell Tower by means of a footway on the top of the ballium wall. Erected in the reign of Henry the Third, as were most of the smaller towers of the fortress, this structure appears, from the numerous inscriptions, coats of arms, and devices that crowd its walls, to have been the principal state-prison. Every room, from roof to vault, is covered with melancholy memorials of its illustrious and unfortunate occupants. ”