Godfrey Cass

Definition and stakes

Portrait of George Eliot George Eliot,  The Works of George Eliot (1878)

“ CHAPTER XII. While Godfrey Cass was taking draughts of forgetfulness from the sweet presence of Nancy, willingly losing all sense of that hidden bond which at other moments galled and fretted him so as to mingle irritation with the very sunshine, Godfrey's wife was walking with slow uncertain steps through the snow-covered Raveloe lanes, carrying her child in her arms. ”
Source: Wikisource

Portrait of George Eliot George Eliot,  The Works of George Eliot (1878)

“ The tall blond man of forty is not much changed in feature from the Godfrey Cass of six-and-twenty: he is only fuller in flesh, and has only lost the indefinable look of youth—a loss which is marked even when the eye is undulled and the wrinkles are not yet come. Perhaps the pretty woman, not much younger than he, who is leaning on his arm, is more changed than her husband: the lovely bloom that used to be always on her cheek now comes but fitfully, with the fresh morning air or with some strong surprise ”
Source: Wikisource

W. F. Webster,  English: Composition and Literature

“ It was Godfrey’s whip, which he had chosen to take without leave because it had a gold handle; of course no one could see, 155 when Dunstan held it, that the name Godfrey Cass was cut in deep letters on that gold handle—they could only see that it was a very handsome whip. Dunsey was not without fear that he might meet some acquaintance in whose eyes he would cut a pitiable figure, for mist is no screen when people get close to each other; but when he at last found himself in the well-known Raveloe lanes without having met a soul, he silently remarked that that was part of his usual good luck. ”
Source: Gutenberg

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