Isadora Duncan

Definition and stakes

Portrait of Claude McKay Claude McKay,  A long way from home (1937)

“ A few weeks before Bull-frog arrived in Marseilles, he had sent me a letter from a Nordic person, and his answer to it, which he asked me to render into correct English.
The Nordic letter began: "My dear little big Bullsy—At last I am terribly excited about your plans, because of Isadora Duncan's interest in you. Certainly, if she believes in you, I must also. For I do believe in Isadora Duncan and her dancing, which brings a new beauty and meaning into life. I shall do all in my power to help to finance your plans. I wish I was rich.
”
Source: Gutenberg

J. E. Crawford Flitch,  Modern dancing and dancers

“ So she affirmed in choice and explicit gesture the creed of the Buddha.
The art of Miss St Denis is not free from adventitious elements. It is too much concerned with the expression of ideas to give itself up wholly to the creation of beauty. It is symbolic, but not in the large, suggestive way in which Isadora Duncan’s dancing is symbolic; the symbolism is somewhat limited, artificial and literal. Her dancing, moreover, with some exceptions, tends to be static, an affair of postures and poses, and in some cases these postures are more learned than beautiful.
”
Source: Gutenberg

Portrait of Claude McKay Claude McKay,  A long way from home (1937)

“ Isadora Duncan and I argued and disagreed on this subject for a whole evening at her studio in Nice. She said the Russian Revolution should have abolished the ballet and established the free-limbed dance. I said I preferred to see both schools of dancing have the same freedom for expression. Isadora was even more severe on Negro dancing and its imitations and derivations. She had no real appreciation of primitive folk dancing, either from an esthetic or an ethnic point of view. For her every movement of the dance should soar upward. ”
Source: Gutenberg

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