Jean-Léopold Gérôme

Definition and stakes

Albert Keim Gérôme

He remained none the less the chief pride of his native town, where, even during the artist's life, there was a street bearing the name of Gérôme.
His favourite summering place, however, was in the heart of Normandy at Saint-Martin, near to Pont-Lévêque, where he possessed a delightful property.
"He is a charming man, of rare integrity and fascination. Very simple, too, like all men of real power, who need not exert themselves in order to prove their strength."
Source: Gutenberg

1911 Encyclopædia Britannica (1911)

Gérôme tried to return to a severer class of work, but the picture failed to interest the public. “Phryne before the Areopagus,” “Le Roi Candaule” and “Socrates finding Alcibiades in the House of Aspasia” (1861) gave rise to some scandal by reason of the subjects selected by the painter, and brought down on him the bitter attacks of Paul de Saint-Victor and Maxime Ducamp. At the same Salon he exhibited the “Egyptian chopping Straw,” and “Rembrandt biting an Etching,” two very minutely finished works. Gérôme’s best paintings are of Eastern subjects
Source: Wikisource

Great Men and Famous Women, Vol…

Gérôme inspired us all with the love of hard work, and of hard work to the accompaniment of singing and laughing."
But in the intervals of his hard work for the prize, Gérôme was also working on a picture which he hoped to have accepted for the Salon. This was the picture we spoke of in the beginning of this notice: "Two Young Greeks stirring-up Game-cocks to fight." When it was finished Gérôme showed it to his master with many misgivings; but Delaroche encouraged him to send it to the Salon. It was accepted, and as we have seen, won for Gérôme a great success with the public.
Source: Gutenberg

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