Jean-Léon Gérôme

Definition and stakes

1911 Encyclopædia Britannica (1911)

Gérôme tried to return to a severer class of work, but the picture failed to interest the public. “Phryne before the Areopagus,” “Le Roi Candaule” and “Socrates finding Alcibiades in the House of Aspasia” (1861) gave rise to some scandal by reason of the subjects selected by the painter, and brought down on him the bitter attacks of Paul de Saint-Victor and Maxime Ducamp. At the same Salon he exhibited the “Egyptian chopping Straw,” and “Rembrandt biting an Etching,” two very minutely finished works. Gérôme’s best paintings are of Eastern subjects
Source: Wikisource

Charles H. Caffin American Masters of Painting

With the artist’s personal development has come maturity of craftsmanship. His latest series of “Mother and Child” are marked by fluency of composition both in the lines and masses and in the colour schemes. But with the ripening of his powers has scarcely followed increase of individuality. He has freed himself from the hard, evenly lighted, rather tight character of Gérôme’s manner only to yield himself to the fascination of the old Italian style. It is a little surprising that one whose imagination is so individual should have failed to discover a really personal language of expression.
Source: Gutenberg

Great Men and Famous Women, Vol…

Gérôme inspired us all with the love of hard work, and of hard work to the accompaniment of singing and laughing."
But in the intervals of his hard work for the prize, Gérôme was also working on a picture which he hoped to have accepted for the Salon. This was the picture we spoke of in the beginning of this notice: "Two Young Greeks stirring-up Game-cocks to fight." When it was finished Gérôme showed it to his master with many misgivings; but Delaroche encouraged him to send it to the Salon. It was accepted, and as we have seen, won for Gérôme a great success with the public.
Source: Gutenberg

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