George Sand

“ Is that stoicist idea of the half-pagan Christianity of the Renaissance very comforting, and do devout souls find consolation therein? The ambitious man, the rascal, the tyrant, the rake, all those haughty sinners who abuse life, and whom Death holds by the hair, are destined to be punished, without doubt; but are the blind man, the beggar, the madman, the poor peasant, recompensed for their long life of misery by the single reflection that death is not an evil for them? No! An implacable melancholy, a ghastly fatality, overshadows the artist's work. ”

“ But it is none the less a noble song, and so appropriate is it to the nature of the work it accompanies, to the gait of the oxen, to the peace of the fields, and to the simplicity of the men who sing it, that no genius unfamiliar with the tillage of the earth, and no man except an accomplished laborer of our part of the country, could repeat it. At the season of the year when there is no work or stir afoot except that of the plowman, this strong, sweet refrain rises like the voice of the breeze, to which the key it is sung in gives it some resemblance. ”

“ His wife follows on foot, and after her come the “elders” in a body with serious and thoughtful looks; then the wedding-march begins by couples to a step tuned to music. Pistol-shots begin anew, and dogs bark louder than ever at the sight of the filthy “infidel” borne aloft in triumph. The children swing incense in derision with sabots fastened at the end of a cord.
But why this ovation to an object so repulsive? They are marching to the capture of the sacred cabbage, emblem of the fruitfulness of marriage, and it is this drunkard alone who can bear the symbolic plant in his hand. ”

“ Are you crying? Come, my girl, I don't want to cry. . . ."
"But you are crying, Germain! You are crying as hard as I. Why should a man be ashamed to weep for his wife? Don't let me trouble you. That sorrow is mine as well as yours."
"You have a kind heart, Marie, and it does me good to weep with you. Put your feet nearer the fire; your skirts are all soaked, too, poor little girl. I am going to take your place by the boy. You move nearer the fire."
"I am hot enough," said Marie; "and if you wish to sit down, take a corner of the cloak. I am perfectly comfortable." ”

“ Where the mind, heart, and arms work in concert under the eye of Providence, true happiness would be found, and a holy harmony would exist between the munificence of God and the delights of the human soul. Then, instead of piteous, ghastly Death walking in his furrow, whip in hand, the painter of allegories could place beside the ploughman a radiant angel, sowing the blessed grain in the smoking furrows with generous hand. ”

“ Doubtless it is a depressing thing to consume one's strength and one's life driving the plough through the bosom of the jealous earth, which yields the treasures of its fecundity only under duress, when a bit of the blackest and coarsest bread at the end of the day is the only reward and the only profit of such laborious toil. The wealth that covers the ground, the crops, the fruit, the proud cattle fattening on the long grass, are the property of a few, and the instruments of fatigue and slavery of the majority. ”

“ The gentle, melancholy words of Virgil: "O how happy the life of the husbandman, if he but knew his happiness!" is an expression of regret; but, like all regrets, it is also a prediction. A day will come when the ploughman may be an artist, if not to express,—which will then matter but little, perhaps,—at all events, to feel, the beautiful. Do you believe that this mysterious intuition of poesy does not already exist within him in the state of instinct and vague revery? ”

“ I don't dare give this trouble to a woman I don't know, who will think, doubtless, that I am exceedingly free and easy with her to begin with."
"Trust me, Germain, you will know her at once by the kindness or the impatience that she shows. If she does not care to receive your Pierre, I will take charge of him myself. I will go to her house and dress him, and I will take him to the fields with me to-morrow. I will amuse him all day long, and take good care that he does not want for anything."
"He will tire you, my poor girl, and give you trouble. A whole day is a long time." ”

“ God forbid that I should not think them superior to the animals which are subject to them, or that they have not moments of rapturous insight that soothe their toil and lull their cares to sleep. I see the seal of the Lord upon their noble brows, for they were born to inherit the earth far more truly than those who have bought and paid for it. The proof that they feel this is that they cannot be exiled with impunity, that they love the soil they have watered with their tears, and that the true peasant dies of homesickness under the arms of a soldier far from his native field. ”

“ Is it not a fact that the literature of our day is in this respect following to some extent in the footsteps of the artists of the Middle Ages and the Renaissance?
Holbein's drunkards fill their glasses in a sort of frenzied desire to put aside the thought of Death, who, unseen by them, acts as their cup-bearer. The wicked rich men of to-day demand fortifications and cannon to put aside the thought of a rising of the Jacquerie, whom art shows them at work in the shadow, separately awaiting the moment to swoop down upon society. ”

“ People who are unfamiliar with the country call the love of the ox for his yoke-fellow a fable. Let them come and see in the corner of the stable one of these poor beasts, thin and wasted, restlessly lashing his lean flanks with his tail, violently breathing with mingled terror and disdain on the food offered him, his eyes always turned toward the door, scratching with his hoof the empty place at his side, sniffing the yokes and chains which his fellow used to wear, and incessantly calling him with melancholy lowings. ”

“ THE HEMP-BEATER.
What foolish tale are you telling us? We don't know that parish. We see plainly enough that you are bad men, brigands, nobodies, liars. Go somewhere else and sing your silly songs; we are on our guard, and you won't get in here.
THE GRAVE-DIGGER.
Alas! my dear man, have pity on us! We are not pilgrims, as you have rightly guessed; but we are unfortunate poachers pursued by the keepers. The gendarmes are after us, too, and, if you don't let us hide in your hay-loft, we shall be caught and taken to prison. ”

“ Little Marie, not having as yet received the wedding-gifts, called livrées, was dressed in the best that her modest wardrobe afforded: a dress of dark-gray cloth, a white fichu with large bright-colored flowers, an apron of the color called incarnat, an Indian red then much in vogue but despised to-day, a cap of snow-white muslin and of the shape, fortunately preserved, which recalls the head-dress of Anne Boleyn and Agnès Sorel. She was fresh and smiling, and not at all proud, although she had good reason to be. ”

“ Now, Germain, you will bear witness for me and tell everybody at home that it wasn't for lack of courage and being willing to work that I couldn't stay over yonder."
"And I will ask you, Marie," said Germain, "to ask yourself the question, whether, when it comes to defending a woman and punishing a knave, a man of twenty-eight isn't too old? I'd like to know if Bastien, or any other pretty boy who has the advantage of being ten years younger than I am, wouldn't have been crushed by that man, as Petit-Pierre calls him: what do you think about it?" ”

“ No, we have no longer to deal with Death, but with Life. We no longer believe either in the nothingness of the tomb or in salvation purchased by obligatory renunciation; we want life to be good because we want it to be fruitful. Lazarus must leave his dunghill, so that the poor may no longer rejoice at the death of the rich. All must be happy, so that the happiness of some may not be a crime and accursed of God. The husbandman as he sows his grain must know that he is working at the work of life, and not rejoice because Death is walking beside him. ”

“ At the other extremity of the field, an old man, whose broad shoulders and stern face recalled Holbein's plowman, but whose clothes carried no suggestion of poverty, was gravely driving his plow of antique shape, drawn by two placid oxen, true patriarchs of the meadow, tall and rather thin, with pale yellow coats and long, drooping horns. They were those old workers who, through long habit, have grown to be brothers, as they are called in our country, and who, when one loses the other, refuse to work with a new comrade, and pine away with grief. ”

“ Next year that furrow will be filled up and covered by a new furrow. Thus the majority of men make their mark and disappear in the field of humanity. A little earth effaces it, and the furrows we have made succeed one another like graves in the cemetery. Is not the furrow of the ploughman as valuable as that of the idler, who has a name, however, a name that will live, if, by reason of some peculiarity or some absurd exploit, he makes a little noise in the world?
So let us, if we can, rescue from oblivion the furrow of Germain, the cunning ploughman. ”

“ It happened, therefore, that I had before my eyes a picture in striking contrast with Holbein's, although it might be a similar scene. Instead of a sad old man, a cheerful young man; instead of a team of thin, sorry horses, two yoke of four sturdy, spirited cattle; instead of Death, a lovely child; instead of an image of despair and a suggestion of destruction, a spectacle of energetic action and a thought of happiness. ”

“ One digs a trench with the spade, so deep that you would say he was preparing to dig up an oak-tree. Another puts on his nose a drogue, made of wood or pasteboard, in imitation of a pair of spectacles: he performs the duties of engineer, comes forward, walks away, prepares a plan, overlooks the workmen, draws lines, plays the pedant, cries out that they are spoiling the whole thing, orders the work to be abandoned and resumed according to his fancy, and makes the performance as long and as absurd as he can. ”

“ The gardener's wife takes care that the sacred vegetable shall not be hurt in its fall. The wits of the wedding, the hemp-dresser, the grave-digger, the carpenter, and the sabot-maker, form a ring about the cabbage, for men who do not till the soil, but pass their lives in other people's houses, are thought to be, and are really, wittier and more talkative than simple farmhands. One digs, with a spade, a ditch deep enough to uproot an oak. ”

“ I'm no beggar, you know, and I don't abuse my friends' kindness."
"That's the truth; and so your friends are always ready to do you a service."
"I was just talking with your wife, and I was asking her if Germain had at last made up his mind to marry again."
"You're no gossip," replied Père Maurice, "and one can speak before you without fear of people talking; so I will tell my wife and you that Germain has really made up his mind; he starts to-morrow for Fourche."
"Bless me!" exclaimed Mère Maurice; "the poor fellow! God grant that he may find a wife as good and honest as himself!" ”

“ At the other end of the field a fine-looking youth was driving a magnificent team of four pairs of young oxen, through whose somber coats glanced a ruddy, glow-like flame. They had the short, curly heads that belong to the wild bull, the same large, fierce eyes and jerky movements; they worked in an abrupt, nervous way that showed how they still rebelled against the yoke and goad, and trembled with anger as they obeyed the authority so recently imposed. ”

“ This quaint old French verse, written under one of Holbein’s pictures, is profoundly melancholy. The engraving represents a laborer driving his plow through the middle of a field. Beyond him stretches a vast horizon, dotted with wretched huts; the sun is sinking behind the hill. It is the end of a hard day’s work. The peasant is old, bent, and clothed in rags. He is urging onward a team of four thin and exhausted horses; the plowshare sinks into a stony and ungrateful soil. One being only is active and alert in this scene of toil and sorrow. It is a fantastic creature. ”

“ Youth is fickle; and as it's a burden to bring up three children, especially when they're the children of another marriage, what you must have is a kind-hearted soul, wise and gentle, and used to hard work. If your wife isn't about as old as yourself, she won't have sense enough to accept such a duty. She will think you too old and your children too young. She will complain, and your children will suffer."
"That is just what disturbs me," said Germain. "Suppose she should hate the poor little ones, and they should be maltreated and beaten?" ”

“ He was fresh and strong, and merry as a young man. One day we found him in a ditch, struck down by his malady at nightfall. We carried him home with us, in a wheelbarrow, and we spent all night in caring for him. Three days afterward, he was at a wedding, singing like a thrush, jumping like a kid, and bustling about after his old fashion. When he left a marriage, he would go to dig a grave, and nail up a coffin. ”

“ They say that when a man is happy he keeps sound, and I know well that in love for you, I am younger than Bastien; for he does not love you; he is too stupid, too much of a child to understand how pretty and how good you are, and how you were made for people to court. Do not hate me, Marie. I am not a bad man. I made my Catherine happy, and on her death-bed she swore before God that she had had only happiness of me, and she asked me to marry again. ”