John Treverton

Definition and stakes

Portrait of M. E. Braddon M. E. Braddon,  The cloven foot (1879)

“ John Treverton stayed at the Manor-house till after dark, alone with his betrothed, and happier than he had ever been in his life. Yes, happy, though it was with a desperate happiness as of a child plucking wild flowers on the sunny edge of an abyss. He must have been something less or more than human if he had not been happy in Laura Malcolm’s company to-day, as they sat by the fire in the gloaming, side by side, her head leaning against his shoulder, his arm round her waist, her dark eyes hidden under drooping lids as they gazed dreamily downward at the smouldering logs ”
Source: Gutenberg

Portrait of M. E. Braddon M. E. Braddon,  The cloven foot (1879)

“ There was a look of infinite pain in John Treverton’s face. His lips moved as if about to speak, but he was silent. There are some truths difficult of utterance; and it is not easy to all men to lie.
‘It is too painful a story,’ he began at last, speaking hurriedly, as if he wanted to make a speedy end of a hateful subject. ‘A good many years ago, when I was very young, and a most consummate fool, I got myself entrapped into a Scotch marriage.
”
Source: Gutenberg

Portrait of M. E. Braddon M. E. Braddon,  The cloven foot (1879)

“ Once more John Treverton drove round his late kinsman’s estate, and this second time, in the sweet spring weather, the farms, and homesteads, the meadows where the buttercups were [Pg 70] beginning to show golden among the grass, the broad sweeps of arable land where the young corn was growing tall—seemed to him a hundredfold more fair than they had seemed in the winter. He felt a keener longing to be the master of all these things. It seemed to him as if no life could be so sweet as the life he might lead at Hazlehurst Manor, with Laura Malcolm for his wife. ”
Source: Gutenberg

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