Josquin des Prez

Definition and stakes

The Art of Music. Vol. 01 (of 14…

“ Okeghem was still alive, and Dufay less than a score of years dead, when Josquin’s fame sprang to the sky. So great a stir did his gifts create in Rome that beside him the fame of all other composers paled. The Duke Hercules d’Este of Ferrara, for whom Josquin composed a mass entitled Hercules dux Ferrariæ, called him the Prince of Music; and the Abbate Baini, director of the pontifical chapel in the early nineteenth century, says of him: ‘In a short time, by his new productions, he becomes the idol of Europe. There is no longer tolerance for any one but Josquin. ”
Source: Gutenberg

1911 Encyclopædia Britannica, Volume 8… (1911)

“ The real date of Josquin’s decease has since been settled as the 27th of August 1521. He was at that time a canon of the cathedral of Condé (see Victor Delzant’s Sépultures de Flandre, No. 118) .
The most complete list of his compositions—consisting of masses, motets, psalms and other pieces of sacred music—will be found in Fétis. The largest collection of his MS. works, containing no less than twenty masses, is in the possession of the papal chapel in Rome. In his lifetime Des Prés was honoured as an eminent composer, and the musicians of the 16th century are loud in his praise.
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Source: Wikisource

James J. Walsh,  The century of Columbus

“ Luther said of him, "They sing {136} only Josquin in Italy; Josquin alone in France; only Josquin in Germany; in Flanders, in Hungary, in Bohemia, in Spain, it is always only Josquin." From this testimony, and the otherwise well-known popularity of this composer's music, it is probable that there has never been a great European musician who, in his own time, has gained more universal acclaim among music-lovers than Josquin. ”
Source: Gutenberg

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