The Art of Music. Vol. 01 (of 14…
“ Okeghem was still alive, and Dufay less than a score of years dead, when Josquin’s fame sprang to the sky. So great a stir did his gifts create in Rome that beside him the fame of all other composers paled. The Duke Hercules d’Este of Ferrara, for whom Josquin composed a mass entitled Hercules dux Ferrariæ, called him the Prince of Music; and the Abbate Baini, director of the pontifical chapel in the early nineteenth century, says of him: ‘In a short time, by his new productions, he becomes the idol of Europe. There is no longer tolerance for any one but Josquin. ”
