Kirstie

Definition and stakes

Portrait of Robert Louis Stevenson Robert Louis Stevenson,  Weir of Hermiston: An Unfinished Romance

“ It was better at Hermiston, where Kirstie Elliott, the sister of a neighbouring bonnet-laird, and an eighteenth cousin of the lady’s, bore the charge of all, and kept a trim house and a good country table. Kirstie was a woman in a thousand, clean, capable, notable; once a moorland Helen, and still comely as a blood horse and healthy as the hill wind. High in flesh and voice and colour, she ran the house with her whole intemperate soul, in a bustle, not without buffets. ”
Source: Gutenberg

Portrait of Robert Louis Stevenson Robert Louis Stevenson,  Weir of Hermiston: An Unfinished Romance

“ Even Lord Hermiston held Kirstie in a particular regard. There were few with whom he unbent so gladly, few whom he favoured with so many pleasantries. “Kirstie and me maun have our joke,” he would declare in high good-humour, as he buttered Kirstie’s scones, and she waited at table. A man who had no need either of love or of popularity, a keen reader of men and of events, there was perhaps only one truth for which he was quite unprepared: he would have been quite unprepared to learn that Kirstie hated him. ”
Source: Gutenberg

Portrait of Robert Louis Stevenson Robert Louis Stevenson,  Weir of Hermiston (1896)

“ Kirstie had wilfully closed the eye of thought; she would not argue even with herself; gallant, desperate little heart, she had accepted the command of that supreme attraction like the call of fate and marched blindfold on her doom. But Archie, with his masculine sense of responsibility, must reason; he must dwell on some future good, when the present good was all in all to Kirstie; he must talk—and talk lamely, as necessity drove him—of what was to be. Again and again he had touched on marriage; again and again been driven back into indistinctness by a memory of Lord Hermiston. ”
Source: Wikisource

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