Morin

Definition and stakes

Portrait of Émile Zola Émile Zola,  The Three Cities Trilogy, Complete

“ Whenever Morin sat down for a moment in the laboratory with the brothers, Pierre was struck by his seeming weariness, his ashen grey hair and beard and dismal countenance, all the life of which appeared to have been effaced by long years spent in the teaching profession. Indeed, it was only when the priest mentioned Italy that he saw his companion’s resigned eyes blaze up like live coals. One day when he spoke of the great patriot Orlando Prada, Morin’s companion of victory in Garibaldi’s days, he was amazed by the sudden flare of enthusiasm which lighted up the other’s lifeless features. ”
Source: Gutenberg

Portrait of Émile Zola Émile Zola,  The Three Cities Trilogy: Paris…

“ His mouth, toothless but still refined, was lost to sight between his moustaches and snowy beard; and his hair, crowning him whitely like an aureola, fell in curls over his shoulders. Behind him with all modesty came Theophile Morin, with grey whiskers, grey, brush-like hair, spectacles, and yellow, weary mien—that of an old professor exhausted by years of teaching. Neither of them seemed astonished or awaited an explanation on finding that man in bed with an injured wrist. And there were no introductions: those who were acquainted merely smiled at one another. ”
Source: Gutenberg

Frank L. Emanuel,  The Illustrators of Montmartre

“ Morin herein shows himself a superb draughtsman, his excited little figures career about the pages, their shapely forms palpitating and quivering with the joie de vivre. The artist’s quick eye has detected the slightest inflection in the body’s outline, caused by some momentary and wayward impulse, and crystallises the beautiful thing for his own joy and for ours. ”
Source: Gutenberg

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