Cornbury

Definition and stakes

Portrait of George Fort Gibbs George Fort Gibbs,  The Love of Monsieur (1903)

“ Cornbury paused. Mornay had arisen to his feet and stumbled to the dormer-window, where he fell rather than leaned against the sill. The Irishman could see nothing but the upheave of the shoulders and the twitching of the hands as the man straggled for his self-control. Cornbury was devoured with curiosity, but with due respect for the Frenchman’s silence sat smoking vigorously until Mornay chose to speak. As the Frenchman looked out at the quiet stars across the roof-tops of London he became calmer, and at last turned around towards the flickering candles. ”
Source: Wikisource

Portrait of George Fort Gibbs George Fort Gibbs,  The Love of Monsieur (1903)

“ Cornbury came around and placed a hand upon each of the Frenchman’s shoulders, while he looked him straight in the eyes. “Monsieur le Chevalier,” he said, soberly—“Monsieur de Bresac—”
At the sound of that name he had staked so much to win, the Frenchman dropped his eyes before the steady gaze of the Irishman. But if his poor heart trembled, his body did not. Slowly but firmly he grasped the wrists of his friend and brought his hands down between them.
“No, no, Cornbury,” he said; “it must not be. That sacred name—even that—will not deter me. It is done.
”
Source: Wikisource

George Gibbs,  The Love of Monsieur

“ And the head which by the grace of God had been raised last night so that he could look every [135] man level in the eyes was now sunk into his shoulders—not in humiliation or abasement, but in a silent acquiescence to the whelming sense of defeat that was his.
Cornbury, his red poll glowing a dull ember in the moonlight, stood by the side of his friend, erect, smiling—his usual inscrutable self. Presently, when a lantern had been brought, the man with the black beard came forward again and placed himself, arms akimbo, before the bedraggled figures of the fugitives.
”
Source: Gutenberg

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