Mrs. Morel

Definition and stakes

Portrait of D. H. Lawrence D. H. Lawrence,  Sons and Lovers (1913)

“ Mrs. Morel got gradually worse. At first they used to carry her downstairs, sometimes even into the garden. She sat propped in her chair, smiling, and so pretty. The gold wedding-ring shone on her white hand; her hair was carefully brushed. And she watched the tangled sunflowers dying, the chrysanthemums coming out, and the dahlias.
Paul and she were afraid of each other. He knew, and she knew, that she was dying. But they kept up a pretence of cheerfulness. Every morning, when he got up, he went into her room in his pyjamas.
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Source: Wikisource

Portrait of D. H. Lawrence D. H. Lawrence,  Sons and Lovers (1913)

“ Is she so fascinating that you must follow her all that way?” Mrs. Morel was bitterly sarcastic. She sat still, with averted face, stroking with a rhythmic, jerked movement, the black sateen of her apron. It was a movement that hurt Paul to see.
“I do like her,” he said, “but——”
“Like her!” said Mrs. Morel, in the same biting tones. “It seems to me you like nothing and nobody else. There’s neither Annie, nor me, nor anyone now for you.”
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Source: Wikisource

Portrait of D. H. Lawrence D. H. Lawrence,  Sons and Lovers

“ Morel would put a brass candlestick on the table, light a tallow candle to save the gas. The children finished their bread-and-butter, or dripping, and were ready to go out to play. But if Morel had not come they faltered. The sense of his sitting in all his pit-dirt, drinking, after a long day’s work, not coming home and eating and washing, but sitting, getting drunk, on an empty stomach, made Mrs. Morel unable to bear herself. From her the feeling was transmitted to the other children. She never suffered alone any more: the children suffered with her.
Paul went out to play with the rest.
”
Source: Gutenberg

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