Marie Corelli,
Ardath: The Story of a Dead Self
“ In the presence of a genius like Pablo de Sarasate they are more or less perplexed,—it is as though you ask them to describe in set, cold terms the counterpoint and thoroughbass of the wind's symphony to the trees,—the great ocean's sonata to the shore, or the delicate madrigals sung almost inaudibly by little bell-blossoms to the tinkling fall of April rain. The man is too great for them—he is a blazing star that dazzles and confounds their sight—and, after the manner of their craft, they abuse what they can't understand. ”
