Squire Bancroft,
Empty chairs
(1925)
“ Nature was Robertson's goddess, and he looked upon the bright young manager as the high-priestess of the natural school of acting. When the prolific fountain ceased, through the early and untimely death of Robertson, the choice of plays until the end of our career was left to me. I was honoured and helped by implicit confidence in my judgment; no word of rebuke passed her lips for a mistake, no word of praise was withheld when it was thought merited. No spark of professional jealousy was born to her; she always loved to act with the ablest and best equipped of her comrades. ”
