Skag

Definition and stakes

Portrait of Will Levington Comfort Will Levington Comfort,  Son of Power

“ He stood at the edge of the jungle at high noon. The city was filmed in heat. Faint sounds seemed to come out of the sky. Skag was watching one certain road. The trance of stillness was not broken. He turned back into the green shade. . . . He would not delay in Hurda. He would not linger. His friend Cadman had been gone for some days. Yet about going there was a new and intolerable pain.
Skag forced himself back from the clearing. He felt less than himself with his eyes fixed upon that certain road; a man always does when he wants something terribly. Still he did not enter the deep jungle.
”
Source: Gutenberg

Portrait of Will Levington Comfort Will Levington Comfort,  Son of Power

“ Skag was staring straight at one of the cobras. Carlin turned and placed her hand upon his sleeve. She knew that he was fighting that old dread that had come upon him on the day of the elephant pursuit—a dread well enough founded, grounded upon many tragedies—of the pitfalls and menaces and miasmas of old Mother India; the infinite variety, craft, swiftness and violence of her deaths. (White hands were certainly clinging to Skag.) One's vast careless attitudes to life are fearfully complicated when life means two and not the self alone. ”
Source: Gutenberg

Portrait of Will Levington Comfort Will Levington Comfort,  Son of Power

“ Skag struck at the same time. His lakri touched the hood. With all his strength, though with a loose whipping wrist, he had struck. The lakri had touched the hood, but there was no violence to the impact. . . . Carlin's love tones were in his heart. Skag laughed.
The head went out of sight. Skag struck again. It was as if his lakri were caught in a swift hand and held for just the fraction of a second. No force to the man's blow. The cobra was no nearer; no show of haste. Skag's stick was a barrier of fury, yet twice the king struck between . . . twice and again.
”
Source: Gutenberg

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