Thomas Romney

Definition and stakes

The Last Ditch

“ The face of the Hunchback was upturned to the bowed head of the woman. There was no sound, no movement. The leaves of an ancient mulberry tree lay tranced against the leaded window. The yellow rug was folded close. The lords of life and death were in that shadowed room.
An ironical smile came to Romney's lips as he turned the knob.... He was meeting the little world of men again. He must act. He must go on with his little part, after dwelling in the presence of those who were great enough to show the world their own immortal selves.... He must fight for his own life—what a travesty.
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Source: Gutenberg

The Last Ditch

“ The free hand was raised to Romney, who bowed to his knee before the man and woman.
"You mean beauty and manhood to me—you precious two," he whispered. "The packets shall be sunk as you say. I have been proud to serve you both. Always I shall feel you above and beyond."
"Ah, America—so often you bring her home to my heart. Godspeed to you, Romney. All is well with us. All is better than the best we could know or ask for.... We will be alone together. We shall have silence here.... Yes, that is well. Toss the yellow rug about us. Now we shall know the deeper dreaming."
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Source: Gutenberg

George C. Williamson,  George Romney (1901)

“ He now became the serious rival of Reynolds, who spoke of him in slighting manner as "the man in Cavendish Square," pretending, with studied insult, to have entirely forgotten his name.
All the world of fashion and wealth sat to the artist, and his list of portraits reads like a page from the fashionable gazette of the day, including as it does all the persons who were then well known in town and who constituted the cream of society.
The opportunity now arose for Romney to show how indifferent he was to the slights and contempt of his fellow-artists who ranged themselves around Sir Joshua.
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Source: Gutenberg

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