George C. Williamson, George Romney (1901)
“ He now became the serious rival of Reynolds, who spoke of him in slighting manner as "the man in Cavendish Square," pretending, with studied insult, to have entirely forgotten his name. All the world of fashion and wealth sat to the artist, and his list of portraits reads like a page from the fashionable gazette of the day, including as it does all the persons who were then well known in town and who constituted the cream of society. The opportunity now arose for Romney to show how indifferent he was to the slights and contempt of his fellow-artists who ranged themselves around Sir Joshua. ”
