George C. Williamson

Summary

George C. Williamson,  George Romney (1901)

“ He now became the serious rival of Reynolds, who spoke of him in slighting manner as "the man in Cavendish Square," pretending, with studied insult, to have entirely forgotten his name.
All the world of fashion and wealth sat to the artist, and his list of portraits reads like a page from the fashionable gazette of the day, including as it does all the persons who were then well known in town and who constituted the cream of society.
The opportunity now arose for Romney to show how indifferent he was to the slights and contempt of his fellow-artists who ranged themselves around Sir Joshua.
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Source: Gutenberg

George C. Williamson,  George Romney (1901)

“ There is all the effect of power, dignity and determination about the mouth and eyes; the face is a distinct oval, the form rather thin and slight, and the composure of the expression very marked. It is a striking portrait of a beautiful girl of high lineage and important position, and is a triumph of art as a portrait which is at once lovely in itself and a delineation of the mind of the person who is depicted in it. ”
Source: Gutenberg

George C. Williamson,  George Romney (1901)

“ The very roundness of the face is accentuated against the angles of the fingers in their half-closed position, and there is a studied grace in the arrangement of the draperies and in the muslin bands which form the head-dress. In all these respects it is a fitting representation of the famous beauty, who in a less natural pose would not have so amply revealed her power of charm.
The painting of the features with all their delicate and slight modelling is a triumphant success, and the eyes, which burn down into the very consciousness of the spectator, are superbly represented.
”
Source: Gutenberg

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