Daniel Burleigh Parkhurst, The Painter in Oil
“ You must not look for so much decision, and you must study [Pg 368] values closely. Look more for the modelling of the mass than for the modelling of surface. Look more for the vibration of light and air on the flesh and drapery colors than for these colors in themselves. Look for color of contours in the model. Study the subtleties of values of contours, and make your figure relieve by the contrast of value in mass rather than by the modelling within the outline. ”
