Trente et Quarante

Definition and stakes

Portrait of Annie Vivanti Annie Vivanti,  The Devourers

“ Aldo was nowhere to be seen. They went from table to table—the season was ended, and one could see each player at a glance—then into the trente-et-quarante rooms, which were hushed and darkened; then through the "buffet," and out into the atrium again.
Nancy looked up at her companion, and tears gathered in her eyes. "I cannot imagine where he is! You do not think—you do not think——" And in her wide, [Pg 141] frightened eyes passed the vision of Aldo, lifeless under a palm-tree in the gardens, his divine eyes broken, his soft hair clotted with blood.
”
Source: Gutenberg

Andrew Steinmetz,  The Gaming Table: Its Votaries and Victims…

“ Curiously enough, excepting at the very commencement of the day's play, the habitues of the Trente et Quarante tables appear to entertain a strong antipathy to the first deal or two after the cards have been "re-made." I have been told by one or two masters of the craft that they have a fancy to see how matters are likely to go before they strike in, as if it were possible to deduce the future of the game from its past! That it is possible appears to be an article of faith with the old stagers, and, indeed, every now and then odd coincidences occur which tend to confirm them in their creed. ”
Source: Gutenberg

Portrait of Fyodor Dostoyevsky Fyodor Dostoyevsky,  The Gambler

“ In a word, he must look upon the gaming-table, upon roulette, and upon trente et quarante, as mere relaxations which have been arranged solely for his amusement. Of the existence of the lures and gains upon which the bank is founded and maintained he must profess to have not an inkling. Best of all, he ought to imagine his fellow-gamblers and the rest of the mob which stands trembling over a coin to be equally rich and gentlemanly with himself, and playing solely for recreation and pleasure. ”
Source: Gutenberg

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