Venus (mythology)

Definition and stakes

Various,  Heathen mythology, Illustrated by extracts from the most celebrated writers…

“ The worship of Venus was universally established; statues and temples were erected to her in every kingdom; and the ancients were fond of paying homage to a divinity who presided over love, and by whose influence alone, mankind existed. In her sacrifices, and at the festivals celebrated in her honour, too much licentiousness prevailed: victims, however, were seldom offered to her, or her altars stained with blood. The rose, the myrtle, and the apple, were sacred to Venus; among birds, the dove, the swan, and the sparrow, were her favourites. ”
Source: Gutenberg

Various,  Heathen mythology, Illustrated by extracts from the most celebrated writers…

“ She is half sitting and half rising from a shell, and the fullness of her limbs, and their complete roundness and perfection, do not diminish the vital energy with which they seem to be animated. The position of the arms, which are lovely beyond imagination, is natural, unaffected and easy. This perhaps is the finest personification of Venus, the deity of superficial desire, in all antique statuary. ”
Source: Gutenberg

Various,  The Continental Monthly , Vol. 2 No…

“ But with the rose there are a thousand beautiful objects all consecrated by myth and legend, based on deeply-seated affinities, all reflecting the solemn mystery of birth and death in unity, all expressing love and pleasure, and all mutually convertible one into the other. All the differently-named Venuses, yes, all the goddesses of ancient mythology, are but one Venus and one goddess—all gods blend in one Arch-Bel, or 'Belerus old,' of myriad names—he, the inscrutable Abyss, self-developing into male and female—who is reflected again in every object which springs from them. ”
Source: Gutenberg

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