White Fang

Definition and stakes

Portrait of Jack London Jack London,  White Fang (1906)

“ White Fang became hated by man and dog. During this period of his development he never knew a moment's security. The tooth of every dog was against him, the hand of every man. He was greeted with snarls by his kind, with curses and stones by his gods. He lived tensely. He was always keyed up, alert for attack, wary of being attacked, with an eye for sudden and unexpected missiles, prepared to act precipitately and coolly, to leap in with a flash of teeth, or to leap away with a menacing snarl.
As for snarling he could snarl more terribly than any dog, young or old, in camp.
”
Source: Wikisource

Portrait of Jack London Jack London,  White Fang (1906)

“ White Fang himself began to grow aware of it, though in his consciousness he knew not what love was. It manifested itself to him as a void in his being—a hungry, aching, yearning void that clamoured to be filled. It was a pain and an unrest; and it received easement only by the touch of the new god’s presence. At such times love was joy to him, a wild, keen-thrilling satisfaction. But when away from his god, the pain and the unrest returned; the void in him sprang up and pressed against him with its emptiness, and the hunger gnawed and gnawed unceasingly. ”
Source: Gutenberg

Portrait of Jack London Jack London,  White Fang (1906)

“ One cannot violate the promptings of one’s nature without having that nature recoil upon itself. Such a recoil is like that of a hair, made to grow out from the body, turning unnaturally upon the direction of its growth and growing into the body—a rankling, festering thing of hurt. And so with White Fang. Every urge of his being impelled him to spring upon the pack that cried at his heels, but it was the will of the gods that this should not be; and behind the will, to enforce it, was the whip of cariboo-gut with its biting thirty-foot lash. ”
Source: Gutenberg

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