Zerlina

Definition and stakes

Tales from the Operas

Walk, I say, walk.”
“Dost thou not breathe more lightly, Zerlina?”
“Wherefore, Senor?”
“That the clown hath gone.”
“Nay—he hath my love!”
“A king should have thy love; those pretty lips, those eyes, those little fingers, were not made for clowns.”
“Nay—but I love him!”
“And I love thee. A poor home, and a poor husband—is this thy lot? See away there, ’tis my house, ’tis my palace. I love thee, I love thee. Wilt thou be my wife, Zerlina?”
Source: Gutenberg

Gladys Davidson Stories from the Operas

But just at this moment, Donna Elvira, who, having found her way into the grounds, had watched and overheard the whole of this pretty scene, rushed forward, and dragging Zerlina to one side, explained to her that Don Juan was but an evil deceiver, who meant to ruin her. Zerlina, now full of horror, shrank back ashamed, and Elvira, throwing a glance of scorn at the faithless gallant, put a protecting arm round the frightened girl, and drew her gently away.
Source: Gutenberg

Christabel R. Coleridge Hugh Crichton's Romance

How did she feel when she sat and looked on at “Il Don Giovanni,” and saw another, and how superior, performer playing her old part of Zerlina? Her voice, at its sweetest and clearest, had never been quite such as this, and she seemed for the first time to know what was meant by acting, as she looked on at the world-famous prima donna.
This power, this popularity, this applause was what the father had looked for; the loss of this was what he had mourned. Could she ever have had it, or anything like it? Did she regret now that she could not?
Source: Gutenberg

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