Equestrian statue

Definition and stakes

Henry James,  The American scene (1907)

“ The equestrian statue of the Southern hero, made to order in far-away uninterested Paris, is the work of a master and has an artistic interest—a refinement of style, in fact, under the impression of which we seem to see it, in its situation, as some precious pearl of ocean washed up on a rude bare strand. The very high florid pedestal is of the last French elegance, and the great soldier, sitting his horse with a kind of melancholy nobleness, raises his handsome head as he looks off into desolate space. ”
Source: Gutenberg

Adeline Adams,  The spirit of American sculpture (1923)

“ In any event, it is quite clear that the equestrian statue is a storied thing. And this is very hard on the solemn critic, who, thirsting for pure abstractions, declares in his mistaken way that art must not tell a story, and who for the moment highbrowbeats everybody into saying message or meaning or content instead of story. Meanwhile, so far apart are the ways of criticism and creation, the maker of136 equestrian statues continues to spin his romances and epics in bronze. The fact that his fine theme appeals to the people not only gladdens him ”
Source: Gutenberg

Adeline Adams,  The spirit of American sculpture (1923)

“ All sculptors who succeed in their equestrian statues are heroic; even if they are not heroes when they begin such enterprises they achieve heroism before they finish them. And if that is true to-day, with our more highly organized methods both of the sculptor’s art and of the bronze-founder’s science, what must it have been in 1856, when Brown’s Washington, our second equestrian statue, first saw the light? ”
Source: Gutenberg

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