“ To-day I am homesick for the sound of bells, for the sad, melting tones of an organ. I sit in my room and play manger songs on the zither. My zither has but three strings; a more perfect one I did not know how to make.The three strings are enough for me; one is my mother, the other my wife, the third my child. One always spends Christmas with one's family.Only a few of the forest people go with pine-torches to the midnight service in Holdenschlag. The distance is too great. ”
Zither
Definition and stakes
The zither, a category of stringed instruments featuring a resonant body and tightly stretched strings, has long been a staple in folk and classical traditions throughout Europe and Asia. From the Alpine concert zither to the Chinese guqin, its adaptability is evident in literary references, such as Murasaki Shikibu’s admiration for a noblewoman’s skill or Anthony Trollope’s depiction of its emotional resonance in rural life.
J. U. Giesy’s mystical storytelling further enriches its symbolic significance, connecting it to divine intent. These diverse portrayals highlight the zither’s lasting role as both a musical instrument and a medium for cultural and emotional communication.
Quotes about “zither”
Anthony Trollope,
Lotta Schmidt, and Other Stories
“ But she knew also that he would make the attempt.“What! the zither?” said Fritz. “He will break down as sure as he is a living man.”“Let us hope not,” said Carl Stobel.“I love to hear him play the zither better than anything,” said Lotta.“It used to be very good,” said Fritz; “but everybody says he has lost his touch. When a man has the slightest feeling of nervousness he is done for the zither.”“H—sh; let him have his chance at any rate,” said Marie. ”
Murasaki Shikibu,
The Sacred Tree
(1926)
“ Lady Fujitsubo used generally to be considered the best zithern-player of the day, and though the applause of the fashionable world was in part a tribute to her rank and beauty, she was without question a very fine musician. But the Lady of Akashi, in addition to a complete command of her instrument, played with an intensity of feeling and a power of expression utterly unknown to the princess. Such indeed was her playing that even he, who could now so seldom get from music a pleasure that he had not experienced many times before, was utterly taken aback. ”
