The Architecture of Liberation, How Structure Cultivates Freedom

“ Solitude, the safeguard of mediocrity, is to genius the stern friend, the cold, obscure shelter where moult the wings which will bear it farther than suns and stars. He who should inspire and lead his race must be defended from travelling with the souls of other men, from living, breathing, reading, and writing in the daily, time-worn yoke of their opinions. ”

“ Those who know the intoxication of climbing a mountain know also how closely it is associated with the discomforts of the climb—with fatigue and the blinding light of the sun, with out-of-breathness, and all the other sensations that rouse and stimulate life and make the body tingle, so that the remembrance of it all is carved indelibly on the mind. The comfort of a playhouse adds nothing to the illusion of a play; and it may even be due to the entire inconvenience of the old concert-rooms that I owe my vivid recollection of my first meeting with Wagner's work. ”

“ He has managed in his own small way something equivalent to those drastic purifications, those searching readjustments, which are undertaken by the heroic seekers for Reality; the arts whereby they defeat the tyranny of "the I, the Me, the Mine" and achieve the freedom of a wider life. Now, perhaps, he may share to some extent in that illumination, that extended and intensified perception of things, which they declare to be the heritage of the liberated consciousness. ”

“ The time for it has come, and it would be strange if, in this age, liberty, like the light, should penetrate everywhere except to the one place where freedom is most natural—the domain of thought. Let us take the hammer to theories and poetic systems. Let us throw down the old plastering that conceals the façade of art. There are neither rules nor models; or, rather, there are no other rules than the general laws of nature, which soar above the whole field of art, and the special rules which result from the conditions appropriate to the subject of each composition. ”

“ If we thought men were free in the sense that in a single exception one fantastical will could prevail over the law of things, it were all one as if a child’s hand could pull down the sun. If, in the least particular, one could derange the order of nature—who would accept the gift of life?
Let us build altars to the Beautiful Necessity, which secures that all is made of one piece; that plaintiff and defendant, friend and enemy, animal and planet, food and eater, are of one kind. In astronomy is vast space, but no foreign system; in geology, vast time, but the same laws as to-day. ”

“ From the submission of our desires springs the virtue of resignation; from the freedom of our thoughts springs the whole world of art and philosophy, and the vision of beauty by which, at last, we half reconquer the reluctant world. But the vision of beauty is possible only to unfettered contemplation, to thoughts not weighted by the load of eager wishes; and thus Freedom comes only to those who no longer ask of life that it shall yield them any of those personal goods that are subject to the mutations of Time. ”

“ For we see no longer the artist’s phantasy, and then his arm, and then his hand, his chisel, the block which he is carving; all we see is the phantasy soaring untrammelled in the infinite world of the artist, with his arm, his hand, his marble, his universe which is totally different from the universe in which the men live who quarry the marble and move it and sell it.
There is a point of view from which we see the spirit limited and enslaved by the conditions in which its life is unfolded. But there is a higher point of view to which we must ascend if we are bent on discovering our freedom. ”

“ It may assume various changes—an image of beauty, a figure of philosophy, a voice from the other world, a type of heavenly wisdom and joy—but still it holds, in self-imposed and willing thraldom, that creative and versatile and tenacious spirit. It was the dream and hope of too deep and strong a mind to fade and come to naught—to be other than the seed of the achievement and crown of life. But with all faith in the star and the freedom of genius, we may doubt whether the prosperous citizen would have done that which was done by the man without a home. ”

“ That the order of the world, the depth of reality of the world, the value of the world in its whole and in its parts, the beauty of the world, the zest of life, the peace of life, and the mastery of evil, are all bound together — not accidentally, but by reason of this truth: that the universe exhibits a creativity with infinite freedom, and a realm of forms with infinite possibilities; but that this creativity and these forms are together impotent to achieve actuality apart from the completed ideal harmony, which is God. ”

“ It would doubtless take several generations before this doctrine could be established as a habit of mind and society organised conformably to it, but it is no cheap speculation which foresees, arising out of a progressive liberation and discipline of the creative instincts of a community, a new birth of art. The creative urge would, like the sun, shoot out coronas of flaming achievement; art itself might climb to a plane it has never hitherto known and break out in directions which we in our present state of spiritual purblindness cannot anticipate. ”

“ Where once was unity, light and power, we have now a confused mass of asteroids moving in eccentric orbits. This was not merely the experience of a planet, but was a tragedy of the solar system; and in it the extremity of individualism finds exemplification. The mind of humanity is broken and divided in a corresponding manner. Both represent the fluid side of nature, and are correlated to the soul on the downward spiral.
No one claims that the ego contacts through the animal kingdom, but the soul of desire may. ”

“ How can it when I have no nature? When I am in a room with people, if I ever am free from speculating on creations of my own brain, then not myself goes home to myself, but the identity of every one in the room begins to press upon me [so] that I am in a very little time annihilated. ”

“ When we long to be left alone with our neuralgia, and to listen to music when all our nervous system is quivering for silence. We have to flirt through 'Tristan' and laugh through 'Lohengrin.' We have to eat when we are not hungry, watch polo when we are longing for sleep, go to Ranelagh instead of to bed, and stand like sheep in a pen for hours at a stretch. ”

“ All at once a trumpet sounds in the distance, and the crowd disperses as if by magic; each one takes refuge in his own house, the windows are again closed, and the night-watch, rubbing his eyes, persuaded that he has been dreaming, advances in the deserted street. "The eleventh hour has struck," he sings, "guard yourselves against spirits and hobgoblins." ”

“ Music is the only divine art we are promised in Heaven, and it is certainly the only divine art with which we are tortured on earth.
The nerves of the ear must be the most sensitive of the whole nervous system, for they have it in their power to inflict the most exquisite torture. The silent arts, no matter how outrageously presented, cannot possibly make one quiver in agony, nor set one's teeth on edge with the sharp lash of a discord. Eyes are long-suffering, and they look at what is discordant with indifference, possibly with resignation, and at most with impatience ”

“ The more systems of sensory elements are pressed into service, the stronger is the sense of external reality and the more assured is the reaction to the stimuli of the external environment.
"In the evolutionary process of man's adaptation to his environment he becomes extended in being and grows more developed, because of his social relations. Man presses into active service the systems of sensory elements of his fellow-beings. ”

“ This is so because the self-imposed limitations to balanced perception and objective logic which our cultural and personal psychological subjectivity imposes when we use the strictly left brain thinking style could be offset by the holistic form of perception associated with altered states of consciousness. To the extent that we come to perceive ourselves fully in the context of that portion of the universal hologram which is the reflection of ourselves, to that extent we release ourselves from the prison of subjectivity. ”

“ The lightness with which they run on tiptoe, the grace with which they shut a cupboard, or lay an object on the table, these are qualities that must be acquired by all, if the environment is to become tranquil and free from disturbance. One rebel is sufficient to mar this achievement; one noisy child, walking on his heels or banging the door, can disturb the peaceful atmosphere of the small community. ”

“ But, on the other hand, the nervous system of most men will not tolerate the frequent repetition of that adjustment of the mind and sympathies to new acquaintanceship, a certain amount of which is so refreshing and so necessary. One can therefore watch in great modern cities men half consciously striving to preserve the same proportion between privacy and intercourse which prevailed among their ancestors in the woods, and one can watch also the constant appearance of proposals or experiments which altogether ignore the primary facts of human nature in this respect. ”

“ When my hand aches from overtouching, I find relief in the sight of another. When my mind lags, wearied with the strain of forcing out thoughts about dark, musicless, colourless, detached substance, it recovers its elasticity as soon as I resort to the powers of another mind which commands light, harmony, colour. Now, if the five senses will not remain disassociated, the life of the deaf-blind cannot be severed from the life of the seeing, hearing race. ”

“ So long, for instance, as the individual walks onward without disturbance, his mind is free to dwell upon other matters, cortical activity not being necessary to control the process of walking. If, however, he steps upon anything which perhaps threatens him with a fall, the rhythmic interplay between sensory and motor activity going on in the lower centres is at once disturbed, and a message is flashed along the sensory nerve to the higher, or cortical, centres. This at once arouses consciousness, and the disturbing factor becomes an object of attention. ”

“ To-morrow he will lay aside the work that is done for the work that is to do; he will turn his back upon that multitude, to return to his solitude—a profound solitude sheltered from every evil influence of the outside world, where youth, his friend, comes now and then to grasp his hand, where he is alone with his thoughts, his will, and his independence. His solitude will be more than ever dear to him, for only in solitude can one work for the multitude. ”

“ Hundreds of times I have found that, however much I may be fatigued by a day's brain work, I can play all the evening, or attend a concert or opera, without in the least adding to my fatigue. On the contrary, in most cases it disappears altogether, the music acting on the mind as a surf bath does on the body. Like many others, I have found that the best way to cure a headache is to attend an orchestral concert. It works like a charm. It stirs up the circulation in the brain as a brisk walk does in the body. ”

“ Art has for its object not merely to afford a transient pleasure, to excite to a momentary dream of liberty; its aim is to make us absolutely free; and this it accomplishes by awakening, exercising, and perfecting in us a power to remove to an objective distance the sensible world ”

“ He will only reproduce to us the matter of the world, which, not being our own work, the product of our creative spirit, can never have the beneficent operation of art, of which the essence is freedom. Serious indeed, but unpleasing, is the cast of thought with which such an artist and poet dismisses us; we feel ourselves painfully thrust back into the narrow sphere of reality by means of the very art which ought to have emancipated us. ”

“ The training and preparation of years, as well as previous organization, are required to bring about in the brain that complex series of ideas which represents a knowledge of the tine arts, and which is presupposed when we speak of experiencing aesthetic emotion. Instead of a single and lowly-endowed centre, such as we may find in children or animals, we have a coordinated and complex chain of high centres, which, when excited, respond not in immediate bodily movement accompanied by bodily feeling, but in deliberate action, the result of reflection ”

“ When the liberation of capacity no longer seems a menace to organization and established institutions, something that cannot be avoided practically and yet something that is a threat to conservation of the most precious values of the past, when the liberating of human capacity operates as a socially creative force, art will not be a luxury, a stranger to the daily occupations of making a living. Making a living economically speaking, will be at one with making a life that is worth living. ”

“ We want artists in industrial relationship. We want masters in industrial method—both from the standpoint of the producer and the product. We want those who can mould the political, social, industrial, and moral mass into a sound and shapely whole. We have limited the creative faculty too much and have used it for too trivial ends. We want men who can create the working design for all that is right and good and desirable in our life. ”

“ We seemingly limit the creative functions to productions that may be hung on gallery walls, or played in concert halls, or otherwise displayed where idle and fastidious people gather to admire each other's culture. But if a man wants a field for vital creative work, let him come where he is dealing with higher laws than those of sound, or line, or colour ”

“ If we find ourselves influenced to a particular course of action, that is a sure sign that the art was bad. Nevertheless,—and here lies the kernel of the whole discussion, so far as it bears upon education,—the aesthetic state is a necessary stage in the restoration of imperilled freedom. ”