Elizabeth Moorhead Vermorcken, The Carnegie Institute and Library of Pittsburgh (1916)
“ The average exhibition of architectural casts consists of dry fragments, interesting only to the expert; here we have a harmonious whole that gives delight to the veriest tyro. There is a perfect illusion. We are suddenly transported, as if by some magic carpet, to France, and stand in the porch before the abbey church of Saint-Gilles, in the Department of Gard—not a fragment, but the entire porch itself, with its heavy doors swung open so that we may mount the worn step and cross its threshold. ”
