Elizabeth Moorhead Vermorcken, The Carnegie Institute and Library of Pittsburgh (1916)
“ Pittsburgh cannot lay claim to any distinctive art atmosphere as yet, but once a year it has its moment of exotic bloom, which gives it a part in the universal flowering and leaves a lingering fragrance for the duller months. A permanent collection of noteworthy paintings may be seen in the galleries on the second floor. No attempt has been made to secure examples of old masters, which would necessarily be second-rate; the collection is frankly modern, representative of the best effort of our own time. ”
