Franklin P. Adams

Biographical details

Portrait of Franklin P. Adams Franklin P. Adams Tobogganing on Parnassus

Lady in the blue kimono,
Heavy is our heart and dumb,
Though we weep no tear nor show no
Sign of sadness, we are glum;
For that wrapper, silk or cotton,
You eternally had on—
It is gone, but not forgotten.
Still the fact is, it is gone.
Lady in the blue kimono,
Although deadly hot the day,
Don't you think— (alas! we know no
Way to put what we would say!)
Er—although your smile is pleasant,
Wondrous fair, and all that stuff—
Do you really think, at present,
It is—er—ahem—enough?
Notions
Myrtie, my notion of no one to write about
Seems to be any one other than you
Source: Gutenberg

Portrait of Franklin P. Adams Franklin P. Adams Men I'm Not Married To; Women I'm Not Married To

What I envy about Freddie is that poise of his. He can come right into a room full of strangers, and be just as much at home as if he had gone through grammar school with them. He smashes the ice all to nothing the moment he is introduced to the other guests by pretending to misunderstand their names, and calling them something entirely different, keeping a perfectly straight face all the time as if he never realized there was anything wrong.
Source: Gutenberg

Portrait of Franklin P. Adams Franklin P. Adams Tobogganing on Parnassus

To-night
_
Love me to-night! Fold your dear arms around me—
Hurt me—I do but glory in your might!
Tho' your fierce strength absorb, engulf, and drown me,
Love me to-night!
The world's wild stress sounds less than our own heart-beat
Its puny nothingness sinks out of sight.
Just you and I and Love alone are left, sweet—
Love me to-night!
Love me to-night! I care not for to-morrow—
Look in my eyes, aglow with Love's own light:
Full soon enough will come daylight, and sorrow—
Love me to-night!
_
—BEATRICE M. BARRY, in the Banquet Table.
We can't to-night! We're overworked and busy
Source: Gutenberg

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