Stanley Mordaunt Leathes

Biographical details

Stanley Mordaunt Leathes The Cambridge Modern History, Volume 1… (1902)

War plays its part in promoting the intercourse of nations and in spreading the arts of peace. Captive Italy made her domination felt, not only in France, but also in Germany and Spain. But apart from this meagre and indirect result we look in vain for any of the higher motives or tendencies that sometimes direct the course of armies and the movement of nations. Greed, ambition, the lust of battle, the interests of dynasties, such are the forces that seem to rule the fate of Italy and Europe.
Source: Wikisource

Stanley Mordaunt Leathes The Cambridge Modern History, Volume 1… (1902)

Julius II is not only the scourge of Italy, but the patron of art. The greatest or at least the most magnificent age of Venetian art is the age of her political and commercial declension. The vigorous vitality that had been fostered in half a century of comparative peace served to sustain the Renaissance movement through many years of war and waste. Peace multiplies wealth, and art is the fosterchild of wealth; but wealth is not its true parent. No statistician's curve can render visible the many causes of the rise and fall of art.
Source: Wikisource

Stanley Mordaunt Leathes The Cambridge Modern History, Volume 2… (1904)

He seemed to have brought for once in her troubled history unity to Italy. That so much had been achieved appears at first sight due more to good fortune than good management. Again and again, above all at Pavia and at Naples, luck had declared in his favour when everything seemed to promise disaster. But good fortune seldom comes where it is wholly unmerited. Though always unequal in intellect and resources to the gigantic tasks that were imposed upon him, Charles had shown perseverance almost adequate to his needs.
Source: Wikisource

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