Stanley Mordaunt Leathes

Summary

Stanley Mordaunt Leathes The Cambridge Modern History, Volume 1… (1902)

War plays its part in promoting the intercourse of nations and in spreading the arts of peace. Captive Italy made her domination felt, not only in France, but also in Germany and Spain. But apart from this meagre and indirect result we look in vain for any of the higher motives or tendencies that sometimes direct the course of armies and the movement of nations. Greed, ambition, the lust of battle, the interests of dynasties, such are the forces that seem to rule the fate of Italy and Europe.
Source: Wikisource

Stanley Mordaunt Leathes The Cambridge Modern History, Volume 1… (1902)

Julius II is not only the scourge of Italy, but the patron of art. The greatest or at least the most magnificent age of Venetian art is the age of her political and commercial declension. The vigorous vitality that had been fostered in half a century of comparative peace served to sustain the Renaissance movement through many years of war and waste. Peace multiplies wealth, and art is the fosterchild of wealth; but wealth is not its true parent. No statistician's curve can render visible the many causes of the rise and fall of art.
Source: Wikisource

Stanley Mordaunt Leathes The Cambridge Modern History, Volume 1… (1902)

Misfortune has proved no cure for moral degeneration. Little patriotism worthy of the name has been called out by these cruel trials; the obstinate resistance of Pisa, the steadfastness and endurance of Venice, show local patriotism at its best, but Italian patriotism is far to seek.
Though almost every province of Italy has been devastated in its turn, though many flourishing cities have been sacked, and the wealth of all has been drained by hostile or protecting armies, literature, learning, and art do not appear at first to feel the blight.
Source: Wikisource

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