Summary

Alan St. H. Brock Pyrotechnics: The History and Art of Firework Making

A building, let us say, in which workmen, with sleeves rolled up, are busily engaged in shovelling heaps of gunpowder. How many know that a firework factory consists of dozens of small buildings, the construction of which is exactly defined by law, separated by spaces also specified by law; that workmen may not roll up their sleeves in the danger buildings; or that the amount of gunpowder in each building is strictly limited to a small quantity? All of these restrictions being enforced with the view, of course, of limiting the effects of any explosion that may occur.
Source: Gutenberg

Alan St. H. Brock Pyrotechnics: The History and Art of Firework Making

And as fire has for all time been associated with the sword, it is small wonder that pyrotechny played no inconspicuous part in the struggle.
As has always been the case, and no doubt always will be, the outbreak of hostilities was the signal for an epidemic of inventions. Men who had never before interested themselves either in war, or in that particular department of science to which their ideas belong, and in spite of or perhaps because of an entire ignorance of the subject, inundated the authorities with so-called inventions which were so much waste of time to all concerned.
Source: Gutenberg

Alan St. H. Brock Pyrotechnics: The History and Art of Firework Making

His success comes from a careful study of the subject, both technically and from the point of view of composition.
That fireworks are popular there is no doubt; no form of amusement is capable of giving enjoyment to so many people at one time; there is no entertainment which so appeals to youth and age of all classes and tastes. And yet it is doubtful if there is an industry concerning which the public at large is so profoundly ignorant.
To the average onlooker any firework which rises in the air is a rocket, any that revolve are catherine wheels
Source: Gutenberg

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