Algernon Blackwood

Algernon Blackwood

Confession (1921)

Summary

Portrait of Algernon Blackwood Algernon Blackwood,  Confession (1921)

“ Could not these interstices be used by—others? When he saw his "figures," he used to ask himself: "Are not these the real ones, and the others—the human beings, unreal?"
This question now revived in him with a new intensity. Were these figures in the fog real or unreal? The man who had asked the way to the station, was he not, after all, a shadow merely?
By the use of his cane and foot and what of sight was left to him he knew that he was on an island. A lamp-post stood up solid and straight beside him, shedding its faint patch of glimmering light.
”
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood,  Confession (1921)

“ He had to run, she went so rapidly, ever just in front, moving with confidence and certainty, turning right and left, crossing the street, but never stopping, never hesitating, her companion always at her heels in breathless haste, and with a growing terror that he might lose her any minute. The way she found her direction through the dense fog was marvelous enough, but O'Reilly's only thought was to keep her in sight, lest his own panic redescend upon him with its inevitable collapse in the dark and lonely street. ”
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood,  Confession (1921)

“ She found death waiting for her; it was a painless death. Then her lover, who was to arrive half an hour later, did not come at all. The door had been left open for him purposely. The house was dark, its rooms shut up, deserted; there was no caretaker even. It was a foggy night—just like this."
"And the other?" asked O'Reilly in a failing voice. "The lover?"
"A man did come in," the doctor went on calmly, "but it was not the lover. It was a stranger."
"A stranger?" the other whispered. "And the surgeon, where was he all the time?"
"Waiting outside to see him enter, concealed in the fog.
”
Source: Wikisource

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