Alice Kemp-Welch

Summary

Alice Kemp-Welch Of Six Mediæval Women — Roswitha (1913)

It is impossible to develop character with any continuity when the supernatural, like some sword of Damocles, hovers continually overhead, ready to descend at any moment and sever cause from effect. Such a sword was the Divine Presence to Roswitha. When her plot requires it, she introduces a miracle, converting a character, at a moment's notice, and in a way that no evolution could possibly effect, into one of a totally different kind.
Source: Wikisource

Alice Kemp-Welch Of Six Mediæval Women — Roswitha (1913)

It is by these dramas that Roswitha has distinguished herself in the world of letters; for although the legends contain points of interest, and are treated with skill, they are naturally not so unique as the dramas, nor do they reflect her personality in the same way. She herself tells us that the plays were written in imitation of the manner, but not of the matter, of Terence, and that her only desire in writing them was "to make the small talent given her by Heaven to create, under the hammer of devotion, a faint sound to the praise of God."
Source: Wikisource

Alice Kemp-Welch Of Six Mediæval Women — Roswitha (1913)

We of to-day pride ourselves on a wider view of life, on a higher conception of duty, expressed in lives dedicated to public work as a necessary complement to private virtue. Still, if we would judge fairly this age of contemplation and faith within the convent walls, and all that, even if done mistakenly and imperfectly, it aspired to do, we must realise, as best we can, the world without those walls. One of our poets has vividly reflected it for us when he speaks of man's life as made up of "whole centuries of folly, noise, and sin."
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature