Amy Le Feuvre

Summary

Amy Le Feuvre The making of a woman (1909)

You don't know what a pleasure it is to me to paint Sunnie. She is so sweet and pure, it seems to take away the bad taste in my mouth that the Paris studio gave me."
"Sunnie is too old for her age," said Mrs. Gordon. "But her life is so entirely with grown-up people, that one cannot wonder at it."
"I don't know much about children," admitted Jean, "but she fascinates me. And I believe she will influence me, too. Miss Lorraine makes me wish to be good, but I believe Sunnie will make me try to be so."
Source: Gutenberg

Amy Le Feuvre The making of a woman (1909)

That same evening, Jean and Dr. Fergusson were having a tête-à-tête over the drawing-room fire. Mrs. Fergusson was confined to her room with a bad cold.
"Poor little Sunnie!" Jean said. "I can't bear to think she will grow up and be disillusioned."
"Why should she be?"
"Oh, she must. She thinks every one is sincere and good, and all the world as it should be. I hope her faith will stand the shocks it is bound to have."
"Sunnie is in the care of One who loves her, the One who has power enough to keep her from the evil in the world."
Source: Gutenberg

Amy Le Feuvre The making of a woman (1909)

So, when the maid had removed the tea things, Jean sat down on the rug and rested her head against Hiss Lorraine's knee. But she did not speak for some minutes, and when she did all eagerness had vanished from her tone.
"I have been doing a lot of thinking lately," she began slowly. "Why is it, I wonder, that artists in their love and appreciation of all that is beautiful seem to fail in—well—in moral beauty? Their lives don't correspond with their creed. Why should art, which ought to be such an ennobling pursuit, be attended on all sides by such enervating, demoralising effects?"
Source: Gutenberg

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