Summary

Portrait of Anatole France Anatole France The Wicker Work Woman: A Chronicle of Our Own Times

The faults we see in nature, and how faulty she is we know, are produced neither by time nor space!”
And in the restless perturbation of his thoughts M. Bergeret continued:
“But what is time itself, save just the movements of nature, and how can I judge whether these are long or short? Granted that nature is cruel in her cast-iron laws, how comes it that I recognise the fact? And how do I manage to place myself outside her, so that I can weigh her deeds in my scales? Had I but another standpoint in it, perchance the universe might even seem to me a happier place.”
Source: Gutenberg

Portrait of Anatole France Anatole France The Wicker Work Woman: A Chronicle of Our Own Times

Madame Bergeret was a coarse-grained, troublesome woman, but she was a homely, moral creature after all; she was human and living, and she suffered keenly at not being allowed to burst out into vulgar chatter, into threatening gestures and shrill cries. She suffered at no longer feeling herself the mistress of the house, the presiding genius of the kitchen, the mother of the family, the matron. Worst of all, she suffered at feeling herself done away with, at feeling that she no longer counted as a person, or even as a thing.
Source: Gutenberg

Portrait of Anatole France Anatole France The Wicker Work Woman: A Chronicle of Our Own Times

It is the mere passing of the years that has brought us this mood of peaceful indifference: I ought to have understood it better. Our condition of mind, at any rate, assures us both internal and external peace.”
“Do you think so?” asked Abbé Lantaigne. “And have you no presentiment of approaching catastrophe?”
Life in itself is a catastrophe,” answered M. Bergeret. “It is a constant catastrophe, in fact, since it can only manifest itself in an unstable environment, and since the essential condition of its existence is the instability of the forces which produce it.
Source: Gutenberg

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