Barcroft Henry Thomas Boake

Barcroft Henry Thomas Boake

Summary

Portrait of Barcroft Henry Thomas Boake Barcroft Henry Thomas Boake Where the Dead Men Lie (1913)

There is a pleasure in a mad gallop; or in watching the dawn of day on a cattle camp—to see the beasts take shape, and change from an indistinguishable mass of white and black into their natural colours; in the dead of night to find yourself alone with the cattle—all the camp asleep, perhaps only a red spark betokening the camp. I always, when I think of it, find something unearthly in this assemblage of huge animals ready at any moment to burst forth like a pent-up torrent, and equally irresistible in their force. When every beast is down, asleep or resting, just pull up and listen.
Source: Wikisource

Portrait of Barcroft Henry Thomas Boake Barcroft Henry Thomas Boake Where the Dead Men Lie (1913)

BARCROFT BOAKE
To Australians, lovers of letters, the brief and thwarted life of Barcroft Boake must remain always a theme of regret. By education he was poorly equipped for poetry. He found his talent late, and early made an end. His small performance was completed in a period of scarcely more than a year. Dying by his own hand at the age of twenty-six, he achieved little of all that his capacity promised. Yet, had fortune favoured, this ill-starred idealist might easily have won recognition as one of the foremost poets of Australia.
Source: Wikisource

Portrait of Barcroft Henry Thomas Boake Barcroft Henry Thomas Boake Where the Dead Men Lie (1913)

You will hear a low moaning sound rising to a roar, then subsiding to a murmur like distant surf—or, as I fancy, the cry of the damned in Dante's ‘Inferno.’ When the cattle are like that it is a good sign. But in the moonlight this strange noise, the dark mass of cattle with the occasional flash of an eye or a polished horn catching the light—it always conjures up strange fancies in me: I seem to be in some other world.
Source: Wikisource

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