Brand Whitlock

Brand Whitlock

Summary

Portrait of Brand Whitlock Brand Whitlock Forty Years of It (1913)

It is an old mental attitude in this world, well treated of in books, and understood and recognized by everyone except those who adopt it, and in its spirit every new reform is promulgated by its avatar. But the reformer never thinks of himself in any such light, of course, he does not understand it any more than he understands mankind’s distrust of him. It is the instinctive fear of the theorist that has been felt for every one of them from Robespierre, the archtype, and impossibilist par excellence, down to the latest man haranguing his little idle crowd on the street corner.
Source: Gutenberg

Portrait of Brand Whitlock Brand Whitlock Forty Years of It (1913)

And one sees a deal of life in a mayor’s office, and in it one may learn to envisage it as—just life. Then one can have a philosophy about it, though one cannot discover a panacea, some sort of sociological patent medicine to be administered to the community, like Socialism, or Prohibition, or absolute law enforcement, or the commission form of government. One indeed may open one’s eyes and look at one’s city and presently behold its vast antitheses, its boulevards and marble palaces at one end, and its slums, its tenements and tenderloins at the other.
Source: Gutenberg

Portrait of Brand Whitlock Brand Whitlock Forty Years of It (1913)

The work of few men, of course, is permanent, sometimes the work of the artist least of any. But, however ephemeral, if the artist’s work is done in sincerity, it is of far greater worth than the work of the politician, if for no other reason, than because, to recall again those words of George Moore which can never lose their charm or their consolation, the traffic of the politician is with the affairs of this world, while the artist is concerned with the dreams, the visions, and the aspirations of a world that is beyond this.
Source: Gutenberg

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