Summary

Chambers's Journal of Popular Literature…

Philip was a little bothered by what Madge had told him. In honest dealing he was unable to comprehend how man or woman could have any knowledge or design which might not be communicated to the person who was nearest in affection to him or her. He took for granted that he must stand nearest in affection to Madge. If the knowledge or design was not intended to hurt anybody, why should there be any mystery about it? The more light that shone upon one’s work, the better it would be done. Those who by choice worked in the dark must be trying to deceive somebody—maybe themselves.
Source: Gutenberg

Chambers's Journal of Popular Literature…

If the decoration of a room or hall is designed to constitute in itself a complete work of art, its effect may be grievously injured by the injudicious introduction of a heavy gold frame, and colours, which while admirably accomplishing the purpose of the artist, may in a great measure interfere with the surrounding harmony of colour. We have, then, no other place left but the window, and the problem seems to be in a fair way towards solution. The perfection to which the painting of glass has attained leaves no room for doubt as to the fidelity of the likeness
Source: Gutenberg

Chambers's Journal of Popular Literature…

There is nothing that does not pass through the alembic of the Newsmonger. He knows the exact spot in the house where each man keeps his skeleton, and he can pitch the precise note struck when the bones rattle in the wind and the poor possessor turns pale at the sound. Mrs Screwer starves her servants; but then Mr Screwer gambles, and the family funds are always in a state of fluctuation which makes things too uncertain to be counted on. Mrs Towhead scolds her household till she maddens the maids and dazes the men, so that they do not know which end stands uppermost.
Source: Gutenberg

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