Charles G. Harper

Charles G. Harper

Summary

Portrait of Charles G. Harper Charles G. Harper From Paddington to Penzance

Exminster lies close to the river, and from its church-tower there is a magnificent view down as far as Exmouth, and then out to sea. The scenery is very beautiful: the Exe broadens into an estuary, and at low tide the smell of the seaweed and the mud-flats comes across the low-lying fields between the river and the highway with a refreshing breeze, doubly welcome after a hot and dusty walk. There is a walk beside the estuary atop of the banks that restrict the waters to their proper channel—a walk that affords delightful views.
Source: Gutenberg

Portrait of Charles G. Harper Charles G. Harper From Paddington to Penzance

It is a wild and storm-tossed promontory on the seaward side of a beautiful estate belonging to the Earl of Devon—a place bearing the singular name of The Moult. Down in the bottom, where the Moult homestead stands sheltered, the tall elms grow straight and comely; but on the hillside, trees of all kinds cling tenaciously in gnarled, twisted, and stunted forms, all bent in the direction in which stormy winds most do blow. Down beside the water, facing the entrance to the harbour, stand the remains of Salcombe Castle, washed with the waves of every high tide.
Source: Gutenberg

Portrait of Charles G. Harper Charles G. Harper From Paddington to Penzance

But no matter how frequent and plentiful the wreck and refuse in the matter of bottomless kettles, superannuated umbrellas,262 and broken dishes, the Old Boot is the commonest object of the seashore, highway, by-way, lane, or ditch—no mountain too high, no valley too deep for it to be found. The angler lands it with language and dashed expectations from the trout stream; the trawler finds it unaccountably in his trawl-net when he returns from the bay; the ploughman disinters it from the field; and children dig it up from the sands: everywhere is the Old Boot.
Source: Gutenberg

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