Summary

Portrait of Charles G. Harper Charles G. Harper The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"

The valley opens wide, and on either side of it climb gently-rising hills clothed with thin woods, the Folkestone Road ascending the shoulder of the hills to the left. From it we look down upon a beautiful flat expanse of meadow-land; but no lodge-gate, no stone lions, no avenue, and certainly not the slightest trace of a park nor of a grand manor house can be seen. Only an old farmstead, half-smothered in ivy and creepers, is seen, in midst of the open meadow. It is a dream of rustic beauty, but—it is not the manor house of Barham's vivid fancy and picturesque pen.
Source: Gutenberg

Portrait of Charles G. Harper Charles G. Harper The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"

It lay, that fisher-haven, in a hollow at the seaward end of a long valley bordered by the striking hills of the chalk downs that are only now to be glimpsed by journeying a mile or so away from the sea-shore, past the uttermost streets, but were then visible at every point. Down this valley came, trickling and prattling in summer, or raging in winter, a little stream that, as it approached the sea, flowed in between the crazy tenements of the fisher-folk and smugglers who then formed the sole population—who then were the only folk—of Folkestone.
Source: Gutenberg

Portrait of Charles G. Harper Charles G. Harper The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"

That it is not now "good for ships" is quite evident to anyone who takes his stand on the cliff-top and views that fifth quarter of the globe, Romney Marsh, from this most eloquent of all view-points. Full three miles away, as the crow flies, the summer wavelets whisper on the beach, and between the margin of the sea and this crumbling cliff-edge, whose foot once dabbled in the waters of the haven, are pastures that have been the anchorage of ships.
Source: Gutenberg

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