Charlotte Perkins Gilman,
The Man-Made World; Or, Our Androcentric Culture
“ Architecture was a domestic industry once—when every savage mother set up her own tepee. To be confined to domestic industry is no proper distinction of womanhood; it is an historic distinction, an economic distinction, it sets a date and limit to woman's industrial progress. In this respect the man-made family has resulted in arresting the development of half the field. We have a world wherein men, industrially, live in the twentieth century; and women, industrially, live in the first—and back of it. To the same source we trace the social and educational limitations set about women. ”
