Constance D'Arcy Mackay

“ They say he hath dwelt alone there ever since his father died. Think of it! In the forest! I should fear the Indians! But then, I am not like Betty Hubbard, who hath no fears at all. And as for Philippe Beaucoeur, there is naught that can make him tremble. He says that 'tis on account of his "ancestree." And then he laughs and makes a gesture: "Blue blood of France is never chilled by terror, Mistress."
TABITHA.
"Blue blood of France—!" Who ever heard the like? I never saw blue blood, nor didst thou! The color of blood is scarlet, as thou knowest right well. ”

“ Why, lass, do you not catch Simon's meaning? 'Tis a rare jest to make a Puritan dance, whether she will or no. Can you not see she would rather go straight to perdition than vouch us a word or a glance? 'Twas a shrewd trick of Simon's to seize her as she sat in her dooryard. We'll have more mirth to-day than hath been here a twelvemonth.
SCARLETT.
Come! Come! We must prepare to feast! (To Resolute.) Think not to stir from here, Mistress. Puritan feet can never outrun the heels of Merrymount! Come, lads, let's start, or the feast will not be ready. Who goes with us? ”

“ A wide space should be left between the dancers, so that all they do can be clearly seen. Dancing in great circles, like a mild war-dance, yet without the whoops and wild gestures of the latter, is another form that lends itself to the out-of-doors. Another dance is the Eagle Dance; with arms spread wide, holding their blankets at
wing-like angles, the dancers circle about each other, the dance growing wilder and wilder. Still another dance is the symbolical one of the Four Winds—North, South, East, West—done by four Indian maidens. ”

“ But from four o'clock on the light mellows, the shadows become long and sweeping, the outdoor effects grow more and more beautiful. It is as if the first hint of sunset were the signal for ringing down a magic curtain on a scene where nature herself was pageant mistress. ”

“ Uncle Ned tucks his fiddle under his chin and begins to play. At first the air is chant-like, and has a strain of melancholy, then it grows gayer and gayer, until it turns into a dance tune. The children first stand about Uncle Ned in a circle, listening. Then they begin to dance, with swaying bodies and cries of delight. Here and there a girl and boy dance opposite each other, hands on hips. There should be five or six dancing groups in all. Uncle Ned finishes with a flourish, and turns towards left. ”

“ An old medicine-man, with a bag of herbs, comes from the background, and seats himself near the drum, at left, taking an Indian flute from his deerskin belt, and fingering it lovingly. An Indian woman, arriving later than the others, unstraps from her back a small papoose, and hangs it to the limb of a tree. The Indian children stand towards the front of the greensward, shoot in a line their feathered arrows, run and pick up the arrows, and acclaim in pantomime the one who shot the best. Then they go towards background, doing a childish imitation of a war-dance. ”

“ Mayhap, if I had a hearth I could compass such knowledge, Mistress. But we be forest folk with no roof but the stars.
RESOLUTE.
You chose——
SARAH
(busying herself with pouring the posset into cup and giving it to Goody Gleason) .
Aye, Mistress, I know well what you would say. We chose to live the life of Merrymount. We brooked no Puritan rule: therefore on our heads be it! We suffer for the love of freedom. (Keenly.) Do you not suffer, too, for the same cause? It was for freedom you and yours left England. It was for freedom we and ours left Wollaston. ”

“ In its pageant form, the patriotic play, with dances, songs, pantomime, and spoken speech, lends itself to schools, communities, and city use, in park, in armory, and on village green: in its one-act form it lends itself to both indoor and outdoor production by schools, patriotic societies, clubs and settlements, and, last, but not least, the home circle. ”

“ From the woods in right background appears Star-of-Spring, the little Indian maiden. She carries a basket of shell-fish on her head, steadying it with her hand. She is so intent on walking carefully that she does not see the group of Pilgrims until she is nearly upon them. There ensues a period of unflagging pantomime. Star-of-Spring, upon seeing the group of dark-clad maidens, starts back, half terrified. Priscilla rises, and as an overture of peace and good-will, takes a few steps towards her. Star-of-Spring retreats still further towards right. Priscilla returns to her wheel. ”

“ All look in the direction of house. Madam Washington is seen approaching from the background, center, a stately figure in Colonial dress, her hair slightly touched with gray. Cries of "Good-morning, Mistress Washington! Good-morning!" Children skip up and down. Baskets, hoe, and rake are alike forgotten. Madam Washington stands in center, and the plantation children are grouped in a wide semicircle about her, so that all she does is in full view of audience. Lucy presents Madam Washington with a bunch of roses. Madam Washington takes them, bows, and smiles. ”

“ I make of it that Mistress Endicott hath a warm heart beneath her cold white Puritan kerchief, and that in this new land of ours we should better strive to understand each other; for, though our ways be different, are we not beset by the same hopes and fears, doth not the same sky arch above us all? (To Simon.) Think you not so, my brother? (As all begin to go towards background where the feast is in readiness.) ”

“ Under the window in left background a similar chest.
By the hearth, facing audience, a long seat with a high back and pew-like ends. At the rise of the curtain, Thomas Rigby, the rubicund landlord, is lighting with a taper the candles that stand on the mantelshelf, the buttons on his plum-colored waistcoat twinkling in the gleam. He has only lighted one when the door is pushed open, and there enter two young British lieutenants, mere lads, whose scarlet cloaks, exaggerated lace wrist ruffles, and brilliant gold braiding make a fine showing. ”

“ Naivete is to be desired rather than ornateness. Scenes filled with crowds of young players should alternate with scenes where solitary little figures appeal by their quaint remoteness, their suggestion of innocence and candor. The Pageant of Patriots is not only a pageant of country but of life's springtime, and interwoven with its episodes should be the glamor of the youth of the world. ”

“ RICHARD.
Such days as these lads grow to men right quickly. Do you think we waste our time with games and—and snowball forts, Tom Rigby? No! The Younger Sons of Freedom have learned to fight and fence, to run and swim, and to swarm up a ship's ladder if need be. How could any lad be idle these last nineteen days, with fathers and brothers patrolling the wharves day and night to keep the tea from landing; when patriot sentinels are stationed in every belfry ”

“ An armory or large gymnasium is an ideal place in which to give the indoor arrangement of the pageant if the stage of a small auditorium or theater is not procurable. Many of the directions for the producing of the outdoor pageant can be applied to the indoor one, and, therefore, those who direct the indoor arrangement of the pageant are referred to the outdoor arrangement. The directions for the final tableau, the march, and the costume of The Spirit of Patriotism will be found there. Throughout the pageant, its entire acts and marches, patriotic airs should be played as much as possible. ”

“ The one-act patriotic play shows one hero or one event; the pageant shows, through one-act plays used in chronological order, the development and upbuilding of America through the lives of her heroes. ”

“ The young settlers come down to right foreground. Dark Cloud puts the bundle of skins on the ground. Asks them, by gesture: "What will they give?"
Tom Bush offers a penknife for one of the skins. Dark Cloud stands with arms haughtily folded. Tom Bush adds a gay handkerchief to the penknife. Dark Cloud shakes his head, and stalks back to his circle. Sits with his brother Indians. Much conferring and shaking of heads. Equal pantomime on part of settlers. Lincoln is keenly watching the scene, but still apart from it all. Suddenly Red Plume rises and, with slow dignity, approaches Lincoln. ”

“ The costumes, speech, manners, and ideas of bygone days take on new significance. The life of trail and wigwam, of colonial homestead and pioneer camp, is made tangible and realistic. And the spirit of those days—the integrity, courage, and vigor of the Nation's heroes, their meager opportunities, their struggle against desperate odds, their slow yet triumphant upward climb—can be illumined by the acted word as in no other way. To read of the home life of America's beginnings is one thing ”

“ Rehearsing in a small room is fatal. It gives the youthful performers a tendency to huddle, from which they seldom recover. Their motions are cramped, and they lose all sweep and freedom. There should be understudies for all the principal parts, and there must be at least one full-dress rehearsal. The ages of the young people taking part in the pageant should be from eight to eighteen. The principal parts will, of course, be intrusted to the older boys and girls where the occasion demands. John Smith, Powhatan, and others need a certain amount of height and dignity. ”

“ The greater the research, the keener the stimulus for imagination and ingenuity, two things that go to the making of every successful production. Fortunately, the patriotic play is inherently simple, its appeal is along broad general lines, so that it requires no great amount of money or energy to adequately produce it. And, as history is made up not of one event, but of a series of events, so an historical pageant is a logical sequence of one-act patriotic plays or episodes. ”

“ There are trees right, left, and background. Their shadows fall like a wavering tracery across the grass.
At the beginning of the scene this grassy space is deserted. It is the far end of the Common, a place not much frequented by loiterers. The first person to cross it is young Benjamin Franklin, who comes slowly in from right. He wears knee-breeches, a loose white shirt, silver buckles on his square-toed shoes, and a three-cornered hat on his head. He is reading from a book which he holds in his right hand, while on his left arm hangs a basket of tallow candles. ”

“ Look, people of Salem! You know this spot right well. 'Tis here that witches are reported to hold their wicked revels. What better place have we in which to try a witch? Custom hath had it aforetime that we have tried them in the courthouse. Now let us try them on their own ground. 'Twill show that we fear neither them nor their master. Neither their black books, nor their caldron's brew. Stand forth, Goody Gurton, the accused. What have you to say? There is the woman whose child you have bewitched and stolen. ”

“ The players should not be dependent on words alone for their cues. Very often a word may fail to carry out of doors; but a gesture can always be seen. Therefore, gesture cues can be used at many of the climaxes. These cues can be quite simple and natural, and while perfectly understandable to the players themselves, need not be at all obvious to the audience. The players and their director can decide upon the cues, and will find them of immense help. Thus, by an upraised arm, or by tossing back a braid of her hair, Pocahontas can signal to Powhatan that her talk with John Smith is finished. ”

“ When the dance ends, Lincoln and his companions are aware of the Indians. But the Indians, although their desire is to trade the skins and furs they are carrying, cross to left, feigning entire indifference, and seat themselves in a semicircle. Red Plume in passing Lincoln has given him a grave "How!" to which Lincoln has returned "How!" with equal gravity. The settlers stand in a group at right, a little towards the background, watching the Indians. The Indians continue to sit in a grave circle. An old Indian smokes. Two of the Indian maidens appear to chatter. ”

“ Throughout the revels that follow the Queen and Benjamin Franklin stand at right, while the dancers enter from left background. As soon as one group has finished dancing, center, they move to the left, and stand in a line facing Franklin and the Queen. Thus color is added to color, till the whole has a rainbow effect.
The first group to enter is the pale-violet group, ladies-in-waiting, who wear pale-violet bodices and overdresses over white. They dance a gavotte, and retire to a line at left. The stage on which the dancing is done must afford ample space, so that there is no crowding. ”

“ Then a final group of young braves. The music, which begins as the chief passes, continues throughout the procession until the last Indian has passed, then ebbs and dies, growing fainter and fainter, till it ceases. ”

“ The Indian braves should carry bows, arrows, and tomahawks.
THE INDIAN MAIDENS. The Indian maidens should wear tan fringed dresses, of the same length and fashion as that of Pocahontas. Necklaces and bracelets of shells. The necks of the dresses embroidered in beads and shells. They wear their long black hair in two braids, the ends of the braids bound either with scarlet, corn-yellow, or vivid blue. They have moccasins and tan-colored stockings. Their bead' embroidered footgear should be in striking color on a tan background. But their chief glory is their blankets. ”

“ No signs at all, unless for the first time in their lives the Indians are shrewder than the Long Knives. There's not so much as a broken branch, or a newly fallen leaf. Now, lads, off to the spring with you. I'll tend this last kettle, and when 'tis boiled, I'll start on the trail again. There must be bison and deer for the followers of Daniel Boone. Lads, stay! If because we are unmolested you should sometimes think that tending the kettle is work for girls—remember that we and our guns are all that stand between the Indians and the fort at Boonesborough, where all the women and children are. ”