“ Rides were things that you had to ride to understand. Describing a ride was like talking about a movie—so abstract and remote. Like talking about sex versus having sex. Sammy loved rides. Or he used to, anyway. So much more than films, so much more than books—so immersive and human, and the whole crowd thing, all the other people waiting to ride it or just getting off it. It had started with coasters—doesn’t every kid love coasters?—but he’d ended up a connoisseur, a gourmand who loved every species of ride, from thrill-rides to monorails, carousels to dark-rides. ”
Cory Doctorow
Summary
Cory Doctorow’s Makers (2009), a science fiction novel by the Canadian-British author, examines the conflicts and breakthroughs of a near-future maker culture through the lives of hardware hackers Lester and Perry, and journalist Suzanne. Set against the backdrop of corporate expansion and technological defiance, the narrative traces the protagonists’ evolution from independent tinkerers to involvement with major corporations like Disney and Kodak, while incorporating themes of gene therapy, economic downturn, and subcultures such as the “fatkins.
” Published under a Creative Commons license and nominated for the Prometheus Award, the novel challenges corporate dominance and honors grassroots creativity, concluding with a blend of resistance and adaptation in a swiftly changing world.
Quotes from Makers (Cory Doctorow)
“ She sluiced off the airplane grease that had filled her pores on the long flight from San Jose to Miami and changed into a cheap sun-dress and a pair of flip-flops that she’d bought at the Thunderbird Flea Market and headed down to their place. Tjan opened the door with a flourish and she stepped in and stopped short. When she’d left, the place had been a reflection of their jumbled lives: gizmos, dishes, parts, tools and clothes strewn everywhere in a kind of joyful, eye-watering hyper-mess, like an enormous kitchen junk-drawer. ”
“ He was pushing them out to the world’s living rooms. Even the deleted rides from the glory days of the goth Fantasyland, in time-limited miniature. If he’d still been at Disney Parks, he would have loved this idea. It was just what he loved, the knowledge that he was sharing experience with his people around the world, part of a tribe even if he couldn’t see them. Now, in the era of the ride, he could see how dumb this was. How thin and shallow and commercial. Why should they have to pay some giant evil corporation to convene their community? ”
