D. H. Lawrence

D. H. Lawrence

Summary

Portrait of D. H. Lawrence D. H. Lawrence Twilight in Italy

From the vine I have only eighty.'
'But wine is a valuable crop,' I said.
'Ah—così-così! For a man who grows much. For me—poco, poco—peu.'
Suddenly his face broke into a smile of profound melancholy, almost a grin, like a gargoyle. It was the real Italian melancholy, very deep, static.
'Vous voyez, monsieur—the lemon, it is all the year, all the year. But the vine—one crop—?'
He lifts his shoulders and spreads his hands with that gesture of finality and fatality, while his face takes the blank, ageless look of misery, like a monkey's. There is no hope. There is the present.
Source: Gutenberg

Portrait of D. H. Lawrence D. H. Lawrence Twilight in Italy

And the monks trod backward and forward down the line of neutrality.
Meanwhile, on the length of mountain-ridge, the snow grew rosy-incandescent, like heaven breaking into blossom. After all, eternal not-being and eternal being are the same. In the rosy snow that shone in heaven over a darkened earth was the ecstasy of consummation. Night and day are one, light and dark are one, both the same in the origin and in the issue, both the same in the moment, of ecstasy, light fused in darkness and darkness fused in light, as in the rosy snow above the twilight.
Source: Gutenberg

Portrait of D. H. Lawrence D. H. Lawrence Twilight in Italy

It is the fierce spirit of the Ego come out of the primal infinite, but detached, isolated, an aristocrat. He is not an Italian, dark-blooded. He is fair, keen as steel, with the blood of the mountaineer in him. He is like my old spinning woman. It is curious how, with his wife and child, he makes a little separate world down there in the theatre, like a hawk's nest, high and arid under the gleaming sky.
The Bersaglieri sit close together in groups, so that there is a strange, corporal connexion between them.
Source: Gutenberg

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