Summary

Portrait of Edmund Gosse Edmund Gosse Dictionary of National Biography… (1885)

But we may be sure that a woman so witty, so active, and so versatile, was not degraded, though she might be lamentably unconventional. She was the George Sand of the Restoration, the 'chère maítre' to such men as Dryden, Otway, and Southerne, who all honoured her with their friendship. Her genius and vivacity were undoubted; her plays are very coarse, but very lively and humorous, while she possessed an indisputable touch of lyric genius. Her prose works are decidedly less meritorious than her dramas and the best of her poems.
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Portrait of Edmund Gosse Edmund Gosse Dictionary of National Biography… (1895)

Modern humanism has produced no more admirable product than this noble dream of a pursuit through life of the spirit of heavenly beauty. In 1887 Pater published a volume of ‘Imaginary Portraits,’ four short romances, two of them on French topics—‘A Prince of Court Painters,’ an anecdote of Watteau, and ‘Denys l'Auxerrois,’ a fantastic vision of Renaissance manners—one on a Dutch subject, ‘Sebastian van Storck,’ and one on a German, ‘Duke Carl of Rosenmold.’ These are studies in philosophic fiction, executed with great delicacy.
Source: Wikisource

Portrait of Edmund Gosse Edmund Gosse Dictionary of National Biography… (1895)

In February 1885 his romance of ‘Marius the Epicurean’ was published in two volumes. This is, without doubt, Pater's most valuable legacy to literature. It is written to illustrate the highest ideal of the æsthetic life, and to prove that beauty may be made the object of the soul in a career as pure, as concentrated, and as austere as any that asceticism inspires.
Source: Wikisource

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