Summary

Edward E. Hunt Tales from a Famished Land

THE SAVIOUR OF MONT CÉSAR Rain fell softly, as it frequently falls in Belgium, drenching the ripening fields of Brabant and the ghosts of ruined towns. By six o’clock in the evening we had reached Louvain. My motor-car rolled through the porte de Bruxelles and down the narrow, slippery Flemish streets into the heart of the city. From a sentry box marked with barber-pole stripes in the German colours—black, white, red; black, white, red again—a bearded Landsturm man leaped out, wearing a helmet like a Yohoghany miner’s cap, a faded gray-green service uniform, and high, mud-coloured boots.
Source: Gutenberg

Edward E. Hunt Tales from a Famished Land

McTeague sat at the table’s head—a huge, lonely, unsophisticated American, with a mop of gray hair topping a face like a child’s, tired eyes, slightly Roman nose, and what once was a rose-bud mouth. At his right was Yvette, the dancer of the Scala; pretty, of course, the big, muscular, operatic-soprano type of beauty rather than the petite beings we usually think of in the dance; sleek, serpentine, appraising the world about her. Next her was I; then Yvette’s husband, the poet; then Guilbert, her dancing-master.
Source: Gutenberg

Edward E. Hunt Tales from a Famished Land

You have forgotten the power of God. The soul of Father Guido dropped the curtain and fell flat on the ground. It could not believe what it had seen, and it fell to screaming, the most horrible screams that heaven ever heard. It screamed again and again, like a child in the dark, like a little lost child.
“And then suddenly, mynheer, there was a roar of wings, and loud singing, and a brightness new, like lightning, and the air was thick with angels playing and dancing and whistling.
Source: Gutenberg

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