Summary

Edward M. Plummer Athletics and Games of the Ancient Greeks

Taking the guidebook of the old Greek traveller Pausanias in our hand, we can follow in his steps, and out of broken pillars, truncated pedestals and the foundations of demolished buildings, we can conjure forth the beautiful Olympia of old, with its glorious temples, its rows of altars, its statues of gods and godlike men who conquered in the games, its treasuries full of the noblest works of art and the richest spoils of war. And we can people the solitude with the combatants and with the spectators, a crowd filled with the enthusiasm of the place and with delight in manly contests
Source: Gutenberg

Edward M. Plummer Athletics and Games of the Ancient Greeks

The scenes of the Iliad are too serious to allow the poet to dwell upon the amusements of the common soldiery. Only at the close of the poem, after a lull in the tumultuous succession of events, is a thought given to sport. But even here, excepting the chariot race, the descriptions are made with a certain careless brevity, as if the poet would dispose of them as quickly as possible, and as if he would say: “This is not my theme.” Achilles superintends the games with a lofty indifference, and even cuts some of them short, as if other things were on his mind.
Source: Gutenberg

Edward M. Plummer Athletics and Games of the Ancient Greeks

Yet one must not presume that these poems, simply because they are the earliest literary records of the Greeks, exhibit this or any other feature of Hellenic civilization in its initial state. The art of literature, mechanical on the one hand and artistic on the other, though when its technique is once learned, it becomes inseparable from civilization, and though now we justly consider the nation that has nothing to transcribe as uncivilized;—this art of literature is, nevertheless, only one phase of the life of civilized man!
Source: Gutenberg

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